In 1973, Ross had her second number-one hit with the ballad "Touch Me in the Morning". Later in the year, Motown issued Diana & Marvin, a duet album with fellow Motown artist Marvin Gaye. The album became an international hit. Touring throughout 1973, Ross became the first entertainer in Japan's history to receive an invitation to the Imperial Palace for a private audience with the Empress Nagako, wife of Emperor Hirohito.
Diana Ross in August 1976
After the release of a modestly successful LP, Last Time I Saw Him, Ross had a third number-one hit with "Theme from Mahogany (Do You Know Where You're Going To)", from her second feature film, Mahogany. A year later, in 1976, she began recording disco music, scoring with the international hit, "Love Hangover", which gave the singer a fourth chart-topper in the US. A two-week stint at Broadway's Palace Theatre in 1977 led to the Emmy-nominated television special, An Evening with Diana Ross, and a Special Tony Award. After the albums, Baby It's Me and Ross, tanked, she released The Boss, in 1979.
That album continued her popularity with dance audiences as the title song became a number-one dance single. That year, Ross hosted her own HBO special, Standing Room Only, taken place in Las Vegas during Ross' "Tour '79" concert tour, with most of the performances coming from The Boss album. In 1980, Ross released her most successful album to date, diana. Composed by Chic's Nile Rodgers and Bernard Edwards, the album included the hits "I'm Coming Out" and "Upside Down", the latter becoming her fifth chart-topping single. Prior to leaving Motown, Ross recorded the duet ballad "Endless Love", with Lionel Richie. The song would become her sixth and final single to reach number one on the Billboard Hot 100.
Ross began negotiating to leave Motown at the end of 1980 after discovering she only had access to $300,000 USD, despite making millions of dollars for the label. Ross eventually was offered a $20 million deal with RCA Records. Before making the decision, she had a conversation with Berry Gordy over the deal to see if he could match it. When Gordy told her it was impossible to match, Ross eventually decided to sign with RCA, doing so on May 20, 1981, making the deal at the time, the most lucrative contract in music.
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