>> Mahatma Gandhi was the preeminent leader of the Indian independence movement in British-ruled India

Mohandas Karamchand Gandhi (2 October 1869 – 30 January 1948) was the preeminent leader of the Indian independence movement in British-ruled India. Employing nonviolent civil disobedience, Gandhi led India to independence and inspired movements for civil rights and freedom across the world. The honorific Mahatma (Sanskrit: "high-souled", "venerable") applied to him first in 1914 in South Africa, is now used worldwide. He is also called Bapu (Gujarati: endearment for "father", "papa" in India. In common parlance in India he is often called Gandhiji. He is unofficially called the Father of the Nation.

Born and raised in a Hindu merchant caste family in coastal Gujarat, western India, and trained in law at the Inner Temple, London, Gandhi first employed nonviolent civil disobedience as an expatriate lawyer in South Africa, in the resident Indian community's struggle for civil rights. After his return to India in 1915, he set about organising peasants, farmers, and urban labourers to protest against excessive land-tax and discrimination. Assuming leadership of the Indian National Congress in 1921, Gandhi led nationwide campaigns for easing poverty, expanding women's rights, building religious and ethnic amity, ending untouchability, but above all for achieving Swaraj or self-rule.

Gandhi famously led Indians in challenging the British-imposed salt tax with the 400 km (250 mi) Dandi Salt March in 1930, and later in calling for the British to Quit India in 1942. He was imprisoned for many years, upon many occasions, in both South Africa and India. Gandhi attempted to practise nonviolence and truth in all situations, and advocated that others do the same. He lived modestly in a self-sufficient residential community and wore the traditional Indian dhoti and shawl, woven with yarn hand-spun on a charkha. He ate simple vegetarian food, and also undertook long fasts as a means of both self-purification and social protest.

Gandhi's vision of an independent India based on religious pluralism, however, was challenged in the early 1940s by a new Muslim nationalism which was demanding a separate Muslim homeland carved out of India. Eventually, in August 1947, Britain granted independence, but the British Indian Empire was partitioned into two dominions, a Hindu-majority India and Muslim Pakistan. As many displaced Hindus, Muslims, and Sikhs made their way to their new lands, religious violence broke out, especially in the Punjab and Bengal. Eschewing the official celebration of independence in Delhi, Gandhi visited the affected areas, attempting to provide solace. In the months following, he undertook several fasts unto death to promote religious harmony. The last of these, undertaken on 12 January 1948 at age 78, also had the indirect goal of pressuring India to pay out some cash assets owed to Pakistan. Some Indians thought Gandhi was too accommodating. Nathuram Godse, a Hindu nationalist, assassinated Gandhi on 30 January 1948 by firing three bullets into his chest at point-blank range.

His birthday, 2 October, is commemorated as Gandhi Jayanti, a national holiday, and world-wide as the International Day of Nonviolence.
(source)

>> Steven Spielberg is considered one of the founding pioneers of the New Hollywood era

Steven Allan Spielberg KBE OMRI (born December 18, 1946) is an American director, producer and screenwriter. Spielberg is considered one of the founding pioneers of the New Hollywood era, as well as being viewed as one of the most popular directors and producers in film history. He is one of the co-founders of DreamWorks Studios.

In a career spanning more than four decades, Spielberg's films have covered many themes and genres. Spielberg's early science-fiction and adventure films were seen as archetypes of modern Hollywood blockbuster filmmaking. In later years, his films began addressing humanistic issues such as the Holocaust (in Schindler's List), the transatlantic slave trade (in Amistad), war (in Empire of the Sun, Saving Private Ryan, War Horse and Bridge of Spies) and terrorism (in Munich). His other films include Close Encounters of the Third Kind, the Indiana Jones film series, and A.I. Artificial Intelligence.

Spielberg at the 2013 Cannes Film Festival

Spielberg won the Academy Award for Best Director for Schindler's List (1993) and Saving Private Ryan (1998). Three of Spielberg's films—Jaws (1975), E.T. the Extra-Terrestrial (1982), and Jurassic Park (1993)—achieved box office records, originated and came to epitomize the blockbuster film. The unadjusted gross of all Spielberg-directed films exceeds $9 billion worldwide, making him the highest-grossing director in history. His personal net worth is estimated to be more than $3 billion. He has been associated with composer John Williams since 1974, who composed music for all save five of Spielberg's feature films.

Spielberg was born in Cincinnati, Ohio, to an Orthodox Jewish family. His mother, Leah (Adler) Posner (born 1920),[8] was a restaurateur and concert pianist, and his father, Arnold Spielberg (born 1917), was an electrical engineer involved in the development of computers.  His paternal grandparents were immigrants from Ukraine who settled in Cincinnati in the first decade of the 1900s. In 1950, his family moved to Haddon Township, New Jersey when his father took a job with RCA. Three years later, the family moved to Phoenix, Arizona. Spielberg attended Hebrew school from 1953 to 1957, in classes taught by Rabbi Albert L. Lewis.

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."

His first home movie was of a train wreck involving his toy Lionel trains, then age 12. Throughout his early teens, and after entering high school, Spielberg continued to make amateur 8 mm "adventure" films.

Spielberg speaking at the Pentagon on August 11, 1999 after receiving the Department of Defense Medal for Distinguished Public Service from Secretary of Defense William S. Cohen

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films. In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

After attending Arcadia High School in Phoenix for three years, his family next moved to Saratoga, California where he later graduated from Saratoga High School in 1965. He attained the rank of Eagle Scout. His parents divorced while he was still in school, and soon after he graduated Spielberg moved to Los Angeles, staying initially with his father. His long-term goal was to become a film director. His three sisters and mother remained in Saratoga.

In Los Angeles, he applied to the University of Southern California's film school, but was turned down because of his "C" grade average. He then applied and was admitted to California State University, Long Beach, where he majored in English, and became a brother of Theta Chi Fraternity.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio. He subsequently dropped out of college to begin professionally directing TV productions with Universal.
(source)

>> In 1974, Steven Seagal met Miyako Fujitani, an aikido instructor teaching in Los Angeles

At the age of 13, Seagal lied about his age and got a job as a dishwasher at a restaurant named The Wagon Wheel. One of the cooks at the restaurant was a Japanese shotokan karate expert and noticed Seagal moved very quickly around the kitchen. He taught Seagal the basics of karate. Seagal began training in aikido under master Harry Kiyoshi Ishisaka, founder of the Orange County Aikido School (Orange County Aiki Kai) (OCAK) in 1964. Seagal considers him to have been the most important martial arts teacher in his life.

Seagal introduces his wife, Elle, to Matthieu Ricard (January 2, 2008).

Seagal moved to Japan at some point between the ages of 19 and 21 with his father who was visiting for military purposes, and met karate masters and decided to remain in Japan. He received his 1st dan degree (Shodan) under the direction of Koichi Tohei. He continued to train in aikido as a student of Seiseki Abe, Tohei (whose aikido organization, Ki Society, Seagal refused to join in favor of staying with the Aikikai), Kisaburo Osawa, Hiroshi Isoyama and the second doshu Kisshomaru Ueshiba. He attained a 7th dan degree and Shihan in aikido, he also holds black belts in karate, judo and kendo and became the first foreigner to operate an aikido dojo in Japan.

After returning to California in 1974, Seagal met Miyako Fujitani, an aikido instructor teaching in Los Angeles. He returned with her to her native Japan in 1975 where they married. When Seagal's father-in-law, also an aikido instructor, retired, Seagal became the new head of the organization known as Tenshin Aikido in Jūsō, Osaka City (affiliated with the Aikikai). Seagal is known by his students as Take Sensei.

Seagal live in 2007

When Seagal left his dojo in Osaka, his then-wife Miyako became the caretaker of the dojo which has continued to the present day. Seagal initially returned to Taos, New Mexico, with his student (and later film stuntman) Craig Dunn, where they opened a dojo, although Seagal spent much of his time pursuing other ventures. After another period in Japan, Seagal returned to the U.S. in 1983 with senior student Haruo Matsuoka. They opened an aikido dojo, initially in North Hollywood, California, but later moved it to the city of West Hollywood. Seagal left Matsuoka in charge of the dojo, which he ran until the two parted ways in 1997.

He has helped train Brazilian mixed martial artists Anderson Silva and Lyoto Machida. Silva, who is the former UFC Middleweight Champion, went on to knock out Vitor Belfort with a kick, in their fight at UFC 126 in February 2011, and Machida also credited him for helping him perfect the front kick that he used to knock out Randy Couture at UFC 129 in May 2011.
(source)

>> A 7th-dan black belt in Aikido, Steven Seagal began his adult life as a martial arts instructor in Japan

Steven Frederic Seagal (born April 10, 1952) is an American actor, film producer, screenwriter, film director, martial artist, Aikido instructor, musician, reserve deputy sheriff and entrepreneur.

A 7th-dan black belt in Aikido, Seagal began his adult life as a martial arts instructor in Japan, becoming the first foreigner to operate an Aikido dojo in the country. He later moved to Los Angeles, California, where he worked as a martial arts instructor on Never Say Never Again; accidentally breaking actor Sean Connery's wrist during production.  In 1988, Seagal made his acting debut in Above the Law.

Steven Seagal in 2012.

By 1991, he had starred in four successful films. He achieved further fame in 1992, when he played Navy SEALs counter-terrorist expert Casey Ryback in Under Siege. However, On Deadly Ground (in 1994) and Under Siege 2: Dark Territory (in 1995) were less successful at the box office. During the latter half of the 1990s, Seagal starred in three more theatrical films and the direct-to-video film The Patriot. Since that time, with the exception of Exit Wounds (in 2001) and Half Past Dead (in 2002), his career has shifted almost entirely to direct-to-video productions. From 1998 to 2014, Seagal appeared in a total of 27 of these. At the age of 58, he returned to prominence as Torrez in the 2010 film Machete; his first widely released film since 2002. Intermittently between 2009 and 2013, he filmed three seasons of his reality show Steven Seagal: Lawman, which depicted Seagal performing his duties as a reserve deputy sheriff in Jefferson Parish, Louisiana (season 1–2) and Maricopa County, Arizona (season 3). He also created and starred in two seasons of the undercover police drama series True Justice between 2011 and 2012.

Seagal is an accomplished guitarist; having released two studio albums (Songs from the Crystal Cave and Mojo Priest), and performed on a number of film scores. He has worked with many famous musicians, including Stevie Wonder and Tony Rebel (who both performed on his debut album).

Seagal and Vladimir Putin, August 11, 2012.

As a businessman, Seagal has undertaken many ventures; he is estimated to be worth anywhere from $5–16 million (as of 2015). In 1997, he began "working closely" with Young Living on a line of "therapeutic oil" products. As the founder of Steven Seagal Enterprises, he began to market his own energy drink, Lightning Bolt, in 2005. In 2013, he began representing the Russian firearms manufacturer ORSIS; appearing in promotional campaigns.

In addition to his professional achievements, Seagal is known as an environmentalist, an animal rights activist, and as a supporter of the 14th Dalai Lama, Tenzin Gyatso. He is also known for his outspoken political views and for his friendship with Vladimir Putin. Seagal once referred to Putin as "one of the great living world leaders".
(source)

>> Aikido is a modern Japanese martial art developed by Morihei Ueshiba

Aikido (Japanese: 合気道 Hepburn: Aikidō?) is a modern Japanese martial art developed by Morihei Ueshiba as a synthesis of his martial studies, philosophy, and religious beliefs. Aikido is often translated as "the way of unifying (with) life energy" or as "the way of harmonious spirit." Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attacker from injury.

Aikido techniques consist of entering and turning movements that redirect the momentum of an opponent's attack, and a throw or joint lock that terminates the technique.

Ueshiba in Tokyo in 1939

Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu.

Ueshiba's senior students have different approaches to aikido, depending partly on when they studied with him. Today aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share techniques formulated by Ueshiba and most have concern for the well-being of the attacker.

Aikido was created by Morihei Ueshiba (植芝 盛平 Ueshiba Morihei, 14 December 1883 – 26 April 1969), referred to by some aikido practitioners as Ōsensei ("Great Teacher"). The term 'aikido' was coined in the twentieth century Ueshiba envisioned aikido not only as the synthesis of his martial training, but as an expression of his personal philosophy of universal peace and reconciliation. During Ueshiba's lifetime and continuing today, aikido has evolved from the Aiki that Ueshiba studied into a variety of expressions by martial artists throughout the world.

Ueshiba developed aikido primarily during the late 1920s through the 1930s through the synthesis of the older martial arts that he had studied. The core martial art from which aikido derives is Daitō-ryū aiki-jūjutsu, which Ueshiba studied directly with Takeda Sōkaku, the reviver of that art. Additionally, Ueshiba is known to have studied Tenjin Shin'yō-ryū with Tozawa Tokusaburō in Tokyo in 1901, Gotōha Yagyū Shingan-ryū under Nakai Masakatsu in Sakai from 1903 to 1908, and judo with Kiyoichi Takagi (高木 喜代子 Takagi Kiyoichi, 1894–1972) in Tanabe in 1911.

The art of Daitō-ryū is the primary technical influence on aikido. Along with empty-handed throwing and joint-locking techniques, Ueshiba incorporated training movements with weapons, such as those for the spear (yari), short staff (jō), and perhaps the bayonet (銃剣 jūken?). However, aikido derives much of its technical structure from the art of swordsmanship (kenjutsu).

Ueshiba moved to Hokkaidō in 1912, and began studying under Takeda Sokaku in 1915. His official association with Daitō-ryū continued until 1937.[10] However, during the latter part of that period, Ueshiba had already begun to distance himself from Takeda and the Daitō-ryū. At that time Ueshiba was referring to his martial art as "Aiki Budō". It is unclear exactly when Ueshiba began using the name "aikido", but it became the official name of the art in 1942 when the Greater Japan Martial Virtue Society (Dai Nippon Butoku Kai) was engaged in a government sponsored reorganization and centralization of Japanese martial arts.

Ukemi (受け身) is very important for safe practice

After Ueshiba left Hokkaidō in 1919, he met and was profoundly influenced by Onisaburo Deguchi, the spiritual leader of the Ōmoto-kyō religion (a neo-Shinto movement) in Ayabe. One of the primary features of Ōmoto-kyō is its emphasis on the attainment of utopia during one's life. This was a great influence on Ueshiba's martial arts philosophy of extending love and compassion especially to those who seek to harm others. Aikido demonstrates this philosophy in its emphasis on mastering martial arts so that one may receive an attack and harmlessly redirect it. In an ideal resolution, not only is the receiver unharmed, but so is the attacker.

In addition to the effect on his spiritual growth, the connection with Deguchi gave Ueshiba entry to elite political and military circles as a martial artist. As a result of this exposure, he was able to attract not only financial backing but also gifted students. Several of these students would found their own styles of aikido.

Aikido was first brought to the rest of the world in 1951 by Minoru Mochizuki with a visit to France where he introduced aikido techniques to judo students. He was followed by Tadashi Abe in 1952, who came as the official Aikikai Hombu representative, remaining in France for seven years. Kenji Tomiki toured with a delegation of various martial arts through 15 continental states of the United States in 1953. Later that year, Koichi Tohei was sent by Aikikai Hombu to Hawaii for a full year, where he set up several dojo. This trip was followed by several further visits and is considered the formal introduction of aikido to the United States. The United Kingdom followed in 1955; Italy in 1964 by Hiroshi Tada; and Germany in 1965 by Katsuaki Asai. Designated "Official Delegate for Europe and Africa" by Morihei Ueshiba, Masamichi Noro arrived in France in September 1961. Seiichi Sugano was appointed to introduce aikido to Australia in 1965. Today there are aikido dojo throughout the world.

The largest aikido organization is the Aikikai Foundation, which remains under the control of the Ueshiba family. However, aikido has many styles, mostly formed by Morihei Ueshiba's major students.

Disarming an attacker using a "sword taking" (太刀取り tachi-dori?) technique.

The earliest independent styles to emerge were Yoseikan Aikido, begun by Minoru Mochizuki in 1931 Yoshinkan Aikido, founded by Gozo Shioda in 1955, and Shodokan Aikido, founded by Kenji Tomiki in 1967. The emergence of these styles pre-dated Ueshiba's death and did not cause any major upheavals when they were formalized. Shodokan Aikido, however, was controversial, since it introduced a unique rule-based competition that some felt was contrary to the spirit of aikido.

After Ueshiba's death in 1969, two more major styles emerged. Significant controversy arose with the departure of the Aikikai Hombu Dojo's chief instructor Koichi Tohei, in 1974. Tohei left as a result of a disagreement with the son of the founder, Kisshomaru Ueshiba, who at that time headed the Aikikai Foundation. The disagreement was over the proper role of ki development in regular aikido training. After Tohei left, he formed his own style, called Shin Shin Toitsu Aikido, and the organization that governs it, the Ki Society (Ki no Kenkyūkai).

A final major style evolved from Ueshiba's retirement in Iwama, Ibaraki and the teaching methodology of long term student Morihiro Saito. It is unofficially referred to as the "Iwama style", and at one point a number of its followers formed a loose network of schools they called Iwama Ryu. Although Iwama style practitioners remained part of the Aikikai until Saito's death in 2002, followers of Saito subsequently split into two groups. One remained with the Aikikai and the other formed the independent Shinshin Aikishuren Kai in 2004 around Saito's son Hitohiro Saito.

Today, the major styles of aikido are each run by a separate governing organization, have their own headquarters (本部道場 honbu dōjō?) in Japan, and have an international breadth.
(source)

>> The Old Guitarist is an oil painting by Pablo Picasso created late 1903

The Old Guitarist is an oil painting by Pablo Picasso created late 1903–early 1904. It depicts an old, blind, haggard man with threadbare clothing weakly hunched over his guitar, playing in the streets of Barcelona, Spain. It is currently on display in the Art Institute of Chicago as part of the Helen Birch Bartlett Memorial Collection.

At the time of The Old Guitarist’s creation, Modernism, Impressionism, Post-Impressionism, and Symbolism had merged and created an overall movement called Expressionism which greatly influenced Picasso’s style. Furthermore, El Greco, Picasso’s poor standard of living, and the suicide of a dear friend influenced Picasso’s style at the time which came to be known as his Blue Period. Several x-rays, infrared images and examinations by curators revealed three different figures hidden behind the old guitarist.

Artist: Pablo Picasso

Year : 1903–04

Type : Oil on panel

Dimensions: 122.9 cm × 82.6 cm (48.4 in × 32.5 in)

Location: Art Institute of Chicago

Elements in The Old Guitarist were carefully chosen to generate a reaction from the spectator. For example, the monochromatic color scheme creates flat, two-dimensional forms that dissociate the guitarist from time and place. In addition, the overall muted blue palette creates a general tone of melancholy and accentuates the tragic and sorrowful theme. The sole use of oil on panel causes a darker and more theatrical mood. Oil tends to blend the colors together without diminishing brightness, creating an even more cohesive dramatic composition.

Furthermore, the guitarist shows no sign of life and appears to be close to death, implying little comfort in the world and accentuating the misery of his situation. Details are eliminated and scale is manipulated to create elongated and elegant proportions while intensifying the silent contemplation of the guitarist and a sense of spirituality. The large, brown guitar is the only significant shift in color found in the painting; its dull brown, prominent against the blue background, becomes the center and focus. The guitar comes to represent the guitarist’s world and only hope for survival. This blind and poor subject depends on his guitar and the small income he can earn from his music for survival. Some art historians believe this painting expresses the solitary life of an artist and the natural struggles that come with the career. Therefore, music, or art, becomes a burden and an alienating force that isolates artists from the world. And yet, despite the isolation, the guitarist (artist) depends on the rest of society for survival. All of these emotions reflect Picasso’s predicament at the time and his criticism of the state of society. The Old Guitarist becomes an allegory of human existence.

Recent x-rays and examinations by curators found three figures peering behind the old guitarist’s body. The three figures are an old woman with her head bent forward, a young mother with a small child kneeling by her side, and an animal on the right side of the canvas. Despite unclear imagery in crucial areas of the canvas, experts determined that at least two different paintings are found beneath The Old Guitarist.

Detail showing an image beneath

In 1998, researchers used an infrared camera to penetrate the uppermost layer of paint (the composition of The Old Guitarist) and clearly saw the second-most composition. By using this camera, researchers were able to discover a young mother seated in the center of the composition, reaching out with her left arm to her kneeling child at her right, and a calf or sheep on the mother’s left side. Clearly defined, the young woman has long, flowing dark hair and a thoughtful expression.

The Art Institute of Chicago shared its infrared images with the Cleveland Museum of Art and the National Gallery of Art in Washington, D.C., where curator William Robinson identified a sketch by Picasso sent to his friend Max Jacob in a letter. It revealed the same composition of mother and child, but it had a cow licking the head of a small calf. In a letter to Jacob, Picasso reveals he was painting this composition a few months before he began The Old Guitarist. Despite these discoveries, the reason Picasso did not complete the composition with a mother and child, and how the older woman fitted into the history of the canvas, remain unknown.
(source)

>> The Museum of Modern Art's collection offers an overview of modern and contemporary art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan in New York City, on 53rd Street between Fifth and Sixth Avenues. It has been important in developing and collecting modernist art, and is often identified as the most influential museum of modern art in the world. It is also one of the largest. The museum's collection offers an overview of modern and contemporary art,  including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated books and artist's books, film and electronic media. The Library's holdings include approximately 300,000 books and exhibition catalogs, over 1,000 periodical titles, and over 40,000 files of ephemera about individual artists and groups. The archives holds primary source material related to the history of modern and contemporary art.

The idea for The Museum of Modern Art was developed in 1929 primarily by Abby Aldrich Rockefeller (wife of John D. Rockefeller, Jr.) and two of her friends, Lillie P. Bliss and Mary Quinn Sullivan. They became known variously as "the Ladies", "the daring ladies" and "the adamantine ladies". They rented modest quarters for the new museum in the Heckscher Building at 730 Fifth Avenue (corner of Fifth Avenue and 57th Street) in Manhattan, and it opened to the public on November 7, 1929, nine days after the Wall Street Crash. Abby had invited A. Conger Goodyear, the former president of the board of trustees of the Albright Art Gallery in Buffalo, New York, to become president of the new museum. Abby became treasurer. At the time, it was America's premier museum devoted exclusively to modern art, and the first of its kind in Manhattan to exhibit European modernism. One of Abby's early recruits for the museum staff was the noted Japanese-American photographer Soichi Sunami (at that time best known for his portraits of modern dance pioneer Martha Graham), who served the museum as its official documentary photographer from 1930 until 1968.

Goodyear enlisted Paul J. Sachs and Frank Crowninshield to join him as founding trustees. Sachs, the associate director and curator of prints and drawings at the Fogg Museum at Harvard University, was referred to in those days as a collector of curators. Goodyear asked him to recommend a director and Sachs suggested Alfred H. Barr, Jr., a promising young protege. Under Barr's guidance, the museum's holdings quickly expanded from an initial gift of eight prints and one drawing. Its first successful loan exhibition was in November 1929, displaying paintings by Van Gogh, Gauguin, Cézanne, and Seurat.

The entrance to The Museum of Modern Art

First housed in six rooms of galleries and offices on the twelfth floor of Manhattan's Heckscher Building, on the corner of Fifth Avenue and 57th Street, the museum moved into three more temporary locations within the next ten years. Abby's husband was adamantly opposed to the museum (as well as to modern art itself) and refused to release funds for the venture, which had to be obtained from other sources and resulted in the frequent shifts of location. Nevertheless, he eventually donated the land for the current site of the museum, plus other gifts over time, and thus became in effect one of its greatest benefactors.

During that time it initiated many more exhibitions of noted artists, such as the lone Vincent van Gogh exhibition on November 4, 1935. Containing an unprecedented sixty-six oils and fifty drawings from the Netherlands, as well as poignant excerpts from the artist's letters, it was a major public success due to Barr's arrangement of the exhibit, and became "a precursor to the hold van Gogh has to this day on the contemporary imagination".

The museum also gained international prominence with the hugely successful and now famous Picasso retrospective of 1939–40, held in conjunction with the Art Institute of Chicago. In its range of presented works, it represented a significant reinterpretation of Picasso for future art scholars and historians. This was wholly masterminded by Barr, a Picasso enthusiast, and the exhibition lionized Picasso as the greatest artist of the time, setting the model for all the museum's retrospectives that were to follow. Boy Leading a Horse was briefly contested over ownership with the Solomon R. Guggenheim Museum.

Stairs in the Museum of Modern Art

When Abby Rockefeller's son Nelson was selected by the board of trustees to become its flamboyant president in 1939, at the age of thirty, he became the prime instigator and funder of its publicity, acquisitions and subsequent expansion into new headquarters on 53rd Street. His brother, David Rockefeller, also joined the museum's board of trustees in 1948 and took over the presidency when Nelson was elected Governor of New York in 1958.

David subsequently employed the noted architect Philip Johnson to redesign the museum garden and name it in honor of his mother, the Abby Aldrich Rockefeller Sculpture Garden. He and the Rockefeller family in general have retained a close association with the museum throughout its history, with the Rockefeller Brothers Fund funding the institution since 1947. Both David Rockefeller, Jr. and Sharon Percy Rockefeller (wife of Senator Jay Rockefeller) currently sit on the board of trustees. In 1937, MoMA had shifted to offices and basement galleries in the Time-Life Building in Rockefeller Center. Its permanent and current home, now renovated, designed in the International Style by the modernist architects Philip L. Goodwin and Edward Durell Stone, opened to the public on May 10, 1939, attended by an illustrious company of 6,000 people, and with an opening address via radio from the White House by President Franklin D. Roosevelt.

On April 15, 1958, a fire on the second floor destroyed an 18 foot long Monet Water Lilies painting (the current Monet water lilies was acquired shortly after the fire as a replacement). The fire started when workmen installing air conditioning were smoking near paint cans, sawdust, and a canvas dropcloth. One worker was killed in the fire and several firefighters were treated for smoke inhalation. Most of the paintings on the floor had been moved for the construction although large paintings including the Monet were left. Art work on the 3rd and 4th floors were evacuated to the Whitney Museum of American Art which abutted it on the 54th Street side. Among the paintings that were moved was A Sunday Afternoon on the Island of La Grande Jatte which had been on loan by the Art Institute of Chicago. Visitors and employees above the fire were evacuated to the roof and then jumped to the roof of an adjoining townhouse.

Cross-section of the Museum of Modern Art

In 1969, the MoMA was at the center of a controversy over its decision to withdraw funding from the iconic anti-war poster And babies. In 1969, the Art Workers Coalition (AWC), a group of New York City artists who opposed the Vietnam War, in collaboration with Museum of Modern Art members Arthur Drexler and Elizabeth Shaw, created an iconic protest poster called And babies. The poster uses an image by photojournalist Ronald L. Haeberle and references the My Lai Massacre. The Museum of Modern Art (MoMA) had promised to fund and circulate the poster, but after seeing the 2 by 3 foot poster MoMA pulled financing for the project at the last minute. MoMA's Board of Trustees included Nelson Rockefeller and William S. Paley (head of CBS), who reportedly "hit the ceiling" on seeing the proofs of the poster. The poster was included shortly thereafter in MoMA's Information exhibition of July 2 to September 20, 1970, curated by Kynaston McShine. Another famous controversary involved Pablo Picasso's painting Boy Leading a Horse, 1905-1906, gifted to MoMA by William S. Paley in 1964. Ownership of Boy Leading a Horse was contested between the MoMA and the Solomon R. Guggenheim

In 1983 the Museum more than doubled its gallery and increased curatorial department by 30 percent, and added an auditorium, two restaurants and a bookstore in conjunction with the construction of the 56-story Museum Tower adjoining the museum.

In 1997, the Japanese architect Yoshio Taniguchi beat out ten other international architects to win the competition to execute the redesign of the museum. MoMA's midtown location underwent extensive renovations in the early 2000s, closing on May 21, 2002, and reopening to the public in a building redesigned by Taniguchi along with Kohn Pedersen Fox, on November 20, 2004. From June 29, 2002, until September 27, 2004, a portion of its collection was on display in what was dubbed MoMA QNS, a former Swingline staple factory in Long Island City, Queens. The expansion, including an increase in MoMA’s endowment to cover operating expenses, cost $858 million in total.

The project nearly doubled the space for MoMA's exhibitions and programs and features 630,000 square feet (59,000 m2) of new and redesigned space. The Peggy and David Rockefeller Building on the western portion of the site houses the main exhibition galleries, and The Lewis B. and Dorothy Cullman Education and Research Building, after Lewis B. Cullman and Dorothy Cullman, on the eastern portion provides over five times more space for classrooms, auditoriums, teacher training workshops, and the museum's expanded Library and Archives. These two buildings frame the enlarged Abby Aldrich Rockefeller Sculpture Garden.

Claude Monet, Reflections of Clouds on the Water-Lily Pond, c.1920

The architecture of the renovation is controversial. At its opening, some critics thought that Taniguchi's design was a fine example of contemporary architecture, while many others were extremely displeased with certain aspects of the design, such as the flow of the space.

The Lewis B. and Dorothy Cullman Education and Research Building marked the culmination of the Taniguchi project, providing significantly increased space for MoMA's wide-ranging educational and research activities. The building also features an entrance for school groups, a 125-seat auditorium, an orientation center, workshop space for teacher training programs, study centers, and a large lobby with double-height views into the Sculpture Garden.

Museum of Modern Art is selling its last vacant parcel of land in Midtown for $125 million to Hines Development, an international real estate developer based in Houston. Hines in turn announced plans to build 53W53, a skyscraper to be as tall as the Empire State Building. In 2009, the New York City Department of City Planning said the building could only be built if it was 200 feet shorter than the original plan. As of March 2015, foundation works are ongoing.

In 2011, the museum acquired the American Folk Art Museum which adjoined its property to the east for $31.2 million. Two years later, it later announced in April that it planned to demolish the folk museum. After much protest, architecture firm Diller Scofidio + Renfro was hired to evaluate whether the folk art building could be incorporated into a renovation.

In early 2014, the museum unveiled Diller Scofidio + Renfro's plans for a redesign of its building, featuring a retractable glass wall, new gallery space and the opening of its entire first floor, including the sculpture garden, free to the public. In particular, the proposed expansion would give the museum 15,500 square feet of new gallery space in the former site of the American Folk Art Museum and 39,000 in 53W53. Construction on the project is scheduled to be finished by 2018 or 2019.
(source)

>> The Starry Night is an oil on canvas by Vincent van Gogh, painted in June 1889

The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an idealized village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. It is regarded as among Van Gogh's finest works,  and is one of the most recognized paintings in the history of Western culture.

Although The Starry Night was painted during the day in Van Gogh's ground-floor studio, it would be inaccurate to state that the picture was painted from memory. The view has been identified as the one from his bedroom window, facing east, a view which Van Gogh painted variations of no fewer than twenty-one times, including The Starry Night. "Through the iron-barred window," he wrote to his brother, Theo, around 23 May 1889, "I can see an enclosed square of wheat . . . above which, in the morning, I watch the sun rise in all its glory."

Artist: Vincent van Gogh

Year: 1889

Catalogue: F612 JH1731

Type: Oil on canvas

Dimensions: 73.7 cm × 92.1 cm (29 in × 36 1⁄4 in)

Location: Museum of Modern Art, New York City

Van Gogh depicted the view at different times of day and under various weather conditions, including sunrise, moonrise, sunshine-filled days, overcast days, windy days, and one day with rain. The hospital staff did not allow Van Gogh to paint in his bedroom, but he was able to make sketches in ink or charcoal on paper, and eventually he would base newer variations on previous versions. The pictorial element uniting all of these paintings is the diagonal line coming in from the right depicting the low rolling hills of the Alpilles mountains. In fifteen of the twenty-one versions, cypress trees are visible beyond the far wall enclosing the wheat field. Van Gogh telescoped the view in six of these paintings, most notably in F717 Wheat Field with Cypresses and The Starry Night, bringing the trees closer to the picture plane.

One of the first paintings of the view was F611 Mountainous Landscape Behind Saint-Rémy, now in Copenhagen. Van Gogh made a number of sketches for the painting, of which F1547 The Enclosed Wheatfield After a Storm is typical. It is unclear whether the painting was made in his studio or outside. In his June 9 letter describing it, he mentions he had been working outside for a few days. Van Gogh described the second of the two landscapes he mentions he was working on in a letter to his sister Wil on 16 June 1889. This is F719 Green Field, now in Prague, and the first painting at the asylum he definitely painted outside en plein air. F1548 Wheat field, Saint-Rémy de Provence, now in New York, is a study for it. Two days later, Vincent wrote Theo that he had painted "a starry sky".

The Starry Night is the only nocturne in the series of views from his bedroom window. In early June, Vincent wrote to Theo, "This morning I saw the countryside from my window a long time before sunrise with nothing but the morning star, which looked very big" Researchers have determined that Venus was indeed visible at dawn in Provence in the spring of 1889 and at that time was near its brightest possible. So the brightest "star" in the painting, just to the viewer's right of the cypress tree, is actually Venus.

The moon is stylized, as astronomical records indicate that the moon was waning gibbous at the time Van Gogh painted the picture. Even if the phase of the moon had been a waning crescent at the time, Van Gogh's moon is not astronomically correct. (For other interpretations of the moon, see below.) The one pictorial element that was definitely not visible from Van Gogh's cell is the village, which is based on a sketch F1541v made from a hillside above the village of Saint-Rémy. Pickvance thought F1541v was done later and the steeple more Dutch than Provcençal, a conflation of several Van Gogh had painted and drawn in his Nuenen period, and thus the first of his "reminisces of the North" he was to paint and draw early the following year. Hulsker thought a landscape on the reverse F1541r was also a study for the painting.
(source)

>> " Café Terrace at Night " is a coloured oil painting executed by Vincent van Gogh

Café Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is a coloured oil painting executed by the Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters. There is also a large pen drawing of the composition which originates from the artist's estate.

Artist: Vincent van Gogh

Year: 1888

Type : Oil on canvas

Dimensions: 80.7 cm × 65.3 cm (31.8 in × 25.7 in)

Location: Kröller-Müller Museum, Otterlo

Visitors of the site can still stand at the northeastern corner of the Place du Forum, where the artist set up his easel. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the rue du Palais leading up to the building structure (to the left, not pictured) and, beyond this structure, the tower of a former church (now Musée Lapidaire). Towards the right, Van Gogh indicated a lighted shop as well, and some branches of the trees surrounding the place—but he omitted the remainders of the Roman monuments just beside this little shop. The painting is currently at the Kröller-Müller Museum in Otterlo, Netherlands.
(source)

>> The Kröller-Müller Museum has a considerable collection of paintings by Vincent van Gogh

The Kröller-Müller Museum was founded by Helene Kröller-Müller, an avid art collector who was one of the first to recognize Vincent van Gogh's genius and collect his works. In 1935, she donated her whole collection to the state of the Netherlands. In 1938, the museum, which was designed by Henry van de Velde, opened to the public. The sculpture garden was added in 1961 and the new exhibition wing, designed by Wim Quist, opened in 1977.

Helene Müller and Anton Kröller, ca. 1888

The museum has a considerable collection of paintings by Vincent van Gogh, such as Cafe Terrace at Night, Sorrowing Old Man ('At Eternity's Gate') and a version of The Potato Eaters, making it the second-largest collection of Van Gogh paintings in the world (after the Van Gogh Museum in Amsterdam). Apart from the Van Gogh paintings other highlights include works by Piet Mondrian, Georges-Pierre Seurat, Odilon Redon, Georges Braque, Paul Gauguin, Lucas Cranach, James Ensor, Juan Gris, and Pablo Picasso.

Entrance of the museum in 2008

The Kröller-Müller Museum is also famous for its large sculpture garden, within the forest park, of more than 75 acres (300,000 m2) and one of the largest in Europe, with a fine collection of modern and contemporary sculptures. The garden reflects Helene Kröller-Müller's conception of a symbiosis between art, architecture and nature. The collection includes works by Auguste Rodin, Henry Moore, Jean Dubuffet, Mark di Suvero, Lucio Fontana, Claes Oldenburg, Fritz Wotruba, Joep van Lieshout and many more.
(source)

>> Kublai Khan founded the Yuan dynasty in China as a conquest dynasty in 1271

Kublai Khan (September 23, 1215 – February 18, 1294), born Kublai and also known by the temple name Shizu, was the fifth Khagan (Great Khan) of the Mongol Empir, reigning from 1260 to 1294, although it was only nominally due to the division of the empire. He also founded the Yuan dynasty in China as a conquest dynasty in 1271, and ruled as the first Yuan emperor until his death in 1294.

Kublai was the fourth son of Tolui (his second son with Sorghaghtani Beki) and a grandson of Genghis Khan. He succeeded his older brother Möngke as Khagan in 1260, but had to defeat his younger brother Ariq Böke in the Toluid Civil War lasting until 1264. This episode marked the beginning of disunity in the empire. Kublai's real power was limited to China and Mongolia, though as Khagan he still had influence in the Ilkhanate and, to a significantly lesser degree, in the Golden Horde. If one counts the Mongol Empire at that time as a whole, his realm reached from the Pacific to the Black Sea, from Siberia to modern day Afghanistan – one fifth of the world's inhabited land area.

Portrait of Kublai Khan during the Yuan era.

In 1271, Kublai established the Yuan dynasty, which ruled over present-day Mongolia, China, Korea, and some adjacent areas, and assumed the role of Emperor of China. By 1279, the Yuan forces had overcome the last resistance of the Southern Song dynasty, and Kublai became the first non-native Emperor to conquer all of China.

Kublai was the fourth son of Tolui, and his second son with Sorghaghtani Beki. As his grandfather Genghis Khan advised, Sorghaghtani chose a Buddhist Tangut woman as her son's nurse, whom Kublai later honored highly. On his way home after the conquest of the Khwarizmian Empire, Genghis Khan performed a ceremony on his grandsons Möngke and Kublai after their first hunt in 1224 near the Ili River.[9] Kublai was nine years old and with his eldest brother killed a rabbit and an antelope. His grandfather smeared fat from killed animals onto Kublai's middle finger in accordance with a Mongol tradition.

After the Mongol–Jin War, in 1236, Ögedei gave Hebei Province (attached with 80,000 households) to the family of Tolui, who died in 1232. Kublai received an estate of his own, which included 10,000 households. Because he was inexperienced, Kublai allowed local officials free rein. Corruption amongst his officials and aggressive taxation caused large numbers of Chinese peasants to flee, which led to a decline in tax revenues. Kublai quickly came to his appanage in Hebei and ordered reforms. Sorghaghtani sent new officials to help him and tax laws were revised. Thanks to those efforts, many of the people who fled returned.

Kublai Khan was chosen by his many supporters to become the next Great Khan at the Grand Kurultai in the year 1260.

The most prominent, and arguably most influential, component of Kublai Khan's early life was his study and strong attraction to contemporary Chinese culture. Kublai invited Haiyun, the leading Buddhist monk in North China, to his ordo in Mongolia. When he met Haiyun in Karakorum in 1242, Kublai asked him about the philosophy of Buddhism. Haiyun named Kublai's son, who was born in 1243, Zhenjin (True Gold in English). Haiyun also introduced Kublai to the former Taoist and now Buddhist monk, Liu Bingzhong. Liu was a painter, calligrapher, poet, and mathematician, and he became Kublai's advisor when Haiyun returned to his temple in modern Beijing. Kublai soon added the Shanxi scholar Zhao Bi to his entourage. Kublai employed people of other nationalities as well, for he was keen to balance local and imperial interests, Mongol and Turk.

In 1251, Kublai's eldest brother Möngke became Khan of the Mongol Empire, and Khwarizmian Mahmud Yalavach and Kublai were sent to China. Kublai received the viceroyalty over North China and moved his ordo to central Inner Mongolia. During his years as viceroy, Kublai managed his territory well, boosted the agricultural output of Henan, and increased social welfare spendings after receiving Xi'an. These acts received great acclaim from the Chinese warlords and were essential to the building of the Yuan Dynasty. In 1252, Kublai criticized Mahmud Yalavach, who was never highly valued by his Chinese associates, over his cavalier execution of suspects during a judicial review, and Zhao Bi attacked him for his presumptuous attitude toward the throne. Möngke dismissed Mahmud Yalavach, which met with resistance from Chinese Confucian-trained officials.

Painting of Kublai Khan on a hunting expedition, by Chinese court artist Liu Guandao, c. 1280.

In 1253, Kublai was ordered to attack 云南, and he asked the Kingdom of Dali to submit. The ruling Gao family resisted and killed Mongol envoys. The Mongols divided their forces into three. One wing rode eastward into the Sichuan basin. The second column under Subutai's son Uryankhadai took a difficult route into the mountains of western Sichuan. Kublai went south over the grasslands and met up with the first column. While Uryankhadai travelled along the lakeside from the north, Kublai took the capital city of Dali and spared the residents despite the slaying of his ambassadors. Duan Xingzhi, the last king of Dali, was appointed by Möngke Khan as the first local ruler; Duan accepted the stationing of a pacification commissioner there. After Kublai's departure, unrest broke out among certain factions. In 1255 and 1256, Duan Xingzhi was presented at court, where he offered Mengu, the Yuan Emperor Xienzhong, maps of Yunnan and counsels about the vanquishing of the tribes who had not yet surrendered. Duan then led a considerable army to serve as guides and vanguards for the Mongolian army. By the end of 1256, Uryankhadai had completely pacified Yunnan.

Kublai was attracted by the abilities of Tibetan monks as healers. In 1253 he made Drogön Chögyal Phagpa, of the Sakya order, a member of his entourage. Phagpa bestowed on Kublai and his wife, Chabi (Chabui), a Tantric Buddhist initiation. Kublai appointed Buddhist Uyghur Lian Xixian (1231–1280) the head of his pacification commission in 1254. Some officials, who were jealous of Kublai's success, said that he was getting above himself and dreaming of having his own empire by competing with Möngke's capital Karakorum (Хархорум). The Great Khan Möngke sent two tax inspectors, Alamdar (Ariq Böke's close friend and governor in North China) and Liu Taiping, to audit Kublai's officials in 1257. They found fault, listed 142 breaches of regulations, accused Chinese officials and executed some of them, and Kublai's new pacification commission was abolished. Kublai sent a two-man embassy with his wives and then appealed in person to Möngke, who publicly forgave his younger brother and reconciled with him.

Chinese opera flourished during the Mongol Yuan dynasty's rule of China.

The Taoists had obtained their wealth and status by seizing Buddhist temples. Möngke repeatedly demanded that the Taoists cease their denigration of Buddhism and ordered Kublai to end the clerical strife between the Taoists and Buddhists in his territory. Kublai called a conference of Taoist and Buddhist leaders in early 1258. At the conference, the Taoist claim was officially refuted, and Kublai forcibly converted 237 Taoist temples to Buddhism and destroyed all copies of the Taoist texts. Kublai Khan and the Yuan dynasty clearly favored Buddhism, while his counterparts in the Chagatai Khanate, the Golden Horde, and the Ilkhanate later converted to Islam at various times in history – Berke of the Golden Horde being the only Muslim during Kublai's era (his successor did not convert to Islam).

In 1258, Möngke put Kublai in command of the Eastern Army and summoned him to assist with an attack on Sichuan. As he was suffering from gout, Kublai was allowed to stay home, but he moved to assist Möngke anyway. Before Kublai arrived in 1259, word reached him that Möngke had died. Kublai decided to keep the death of his brother secret and continued the attack on Wuhan, near the Yangtze River. While Kublai's force besieged Wuchang, Uryankhadai joined him. The Song Dynasty minister Jia Sidao secretly approached Kublai to propose terms. He offered an annual tribute of 200,000 taels of silver and 200,000 bolts of silk, in exchange for Mongol agreement to the Yangtze River as the frontier between the states. Kublai declined at first but later reached a peace agreement with Jia Sidao.
(source)

>> Genghis Khan came to power by uniting many of the nomadic tribes of Northeast Asia

Genghis Khan (1162 – August 18 1227), born Temüjin, was the founder and Great Khan (emperor) of the Mongol Empire, which became the largest contiguous empire in history after his death.

He came to power by uniting many of the nomadic tribes of Northeast Asia. After founding the Mongol Empire and being proclaimed "Genghis Khan", he started the Mongol invasions that resulted in the conquest of most of Eurasia. These included raids or invasions of the Qara Khitai, Caucasus, Khwarezmid Empire, Western Xia and Jin dynasties. These campaigns were often accompanied by wholesale massacres of the civilian populations – especially in the Khwarezmian and Xia controlled lands. By the end of his life, the Mongol Empire occupied a substantial portion of Central Asia and China.

Before Genghis Khan died, he assigned Ögedei Khan as his successor and split his empire into khanates among his sons and grandsons. He died in 1227 after defeating the Western Xia. He was buried in an unmarked grave somewhere in Mongolia at an unknown location. His descendants extended the Mongol Empire across most of Eurasia by conquering or creating vassal states out of all of modern-day China, Korea, the Caucasus, Central Asia, and substantial portions of modern Eastern Europe, Russia, and Southwest Asia. Many of these invasions repeated the earlier large-scale slaughters of local populations. As a result, Genghis Khan and his empire have a fearsome reputation in local histories.

Beyond his military accomplishments, Genghis Khan also advanced the Mongol Empire in other ways. He decreed the adoption of the Uyghur script as the Mongol Empire's writing system. He also practiced meritocracy and encouraged religious tolerance in the Mongol Empire while unifying the nomadic tribes of Northeast Asia. Present-day Mongolians regard him as the founding father of Mongolia.

Genghis Khan and Toghrul Khan, illustration from a 15th-century Jami' al-tawarikh manuscript

Although known for the brutality of his campaigns and considered by many to have been a genocidal ruler, Genghis Khan is also credited with bringing the Silk Road under one cohesive political environment. This brought communication and trade from Northeast Asia into Muslim Southwest Asia and Christian Europe, thus expanding the horizons of all three cultural areas.
(source)

>> Death of Genghis Khan and expansion under Ögedei (1227–1241)

Genghis Khan died on August 18, 1227, by which time the Mongol Empire ruled from the Pacific Ocean to the Caspian Sea — an empire twice the size of the Roman Empire and Muslim Caliphate. Genghis named his third son, the charismatic Ögedei, as his heir. According to Mongol tradition, Genghis Khan was buried in a secret location. The regency was originally held by Ögedei's younger brother Tolui until Ögedei's formal election at the kurultai in 1229.

Genghis Khan, National Palace Museum in Taipei, Taiwan

Among his first actions, Ögedei sent troops to subjugate the Bashkirs, Bulgars, and other nations in the Kipchak-controlled steppes. In the east, Ögedei's armies re-established Mongol authority in Manchuria, crushing the Eastern Xia regime and Water Tatars. In 1230, the Great Khan personally led his army in the campaign against the Jin dynasty (China). Ögedei's general Subutai captured the capital of Emperor Wanyan Shouxu in the siege of Kaifeng in 1232. The Jin dynasty collapsed in 1234 when the Mongols captured Caizhou, the town where Wanyan Shouxu had fled. In 1234, three armies commanded by Ögedei's sons Kochu and Koten, as well as the Tangut general Chagan, invaded southern China. With the assistance of the Song dynasty, the Mongols finished off the Jin in 1234.

Many Han Chinese and Khitan defected to the Mongols to fight against the Jin. Two Han Chinese leaders, Shi Tianze, Liu Heima (劉黑馬, Liu Ni), and the Khitan Xiao Zhala defected and commanded the 3 Tumens in the Mongol army. Liu Heima and Shi Tianze served Ogödei Khan. Liu Heima and Shi Tianxiang led armies against Western Xia for the Mongols. There were 4 Han Tumens and 3 Khitan Tumens, with each Tumen consisting of 10,000 troops.

Shi Tianze was a Han Chinese who lived in the Jin dynasty (1115–1234). Interethnic marriage between Han and Jurchen became common at this time. His father was Shi Bingzhi (史秉直, Shih Ping-chih). Shi Bingzhi was married to a Jurchen woman (surname Na-ho) and a Han Chinese woman (surname Chang), it is unknown which of them was Shi Tianze's mother. Shi Tianze was married to two Jurchen women, a Han Chinese woman, and a Korean woman, and his son Shi Gang was born to one of his Jurchen wives.

The Mongols at war

His Jurchen wive's surnames were Mo-nien and Na-ho, his Korean wife's surname was Li, and his Han Chinese wife's surname was Shi. Shi Tianze defected to the Mongol Empire's forces upon their invasion of the Jin dynasty. His son Shi Gang married a Kerait woman, the Kerait were Mongolified Turkic people and considered as part of the "Mongol nation".

The Yuan dynasty created a "Han Army" 漢軍 out of defected Jin troops and army of defected Song troops called the "Newly Submitted Army" 新附軍.

In the West, Ögedei's general Chormaqan destroyed Jalal ad-Din Mingburnu, the last shah of the Khwarizmian Empire. The small kingdoms in Southern Persia voluntarily accepted Mongol supremacy. In East Asia, there were a number of Mongolian campaigns into Goryeo Korea, but Ögedei's attempt to annex the Korean Peninsula met with little success. The king of Goryeo, Gojong, surrendered but later revolted and massacred Mongol darughachis (overseers); he then moved his imperial court from Gaeseong to Ganghwa Island. As the empire grew, Ögedei established a Mongol capital at Karakorum in northwestern Mongolia.
(source)

>> History of Mongol Empire

The area around Mongolia, Manchuria, and parts of North China had been controlled by the Liao dynasty since the 10th century. In 1125, the Jin dynasty founded by the Jurchens overthrew the Liao dynasty and attempted to gain control over former Liao territory in Mongolia. In the 1130s the Jin dynasty rulers, known as the Golden Kings, successfully resisted the Khamag Mongol confederation, ruled at the time by Khabul Khan, great grandfather of Temujin (Genghis Khan).

The Mongolian plateau was occupied mainly by five powerful tribal confederations (khanlig): Keraites, Khamag Mongol, Naiman, Mergid, and Tatar. The Jin emperors, following a policy of divide and rule, encouraged disputes among the tribes, especially between the Tatars and Mongols, in order to keep the nomadic tribes distracted by their own battles and thereby away from the Jin. Khabul's successor was Ambaghai Khan, who was betrayed by the Tatars, handed over to the Jurchen, and executed. The Mongols retaliated by raiding the frontier, resulting in a failed Jurchen counter-attack in 1143.

Genghis Khan, National Palace Museum in Taipei, Taiwan

In 1147, the Jin somewhat changed their policy, signing a peace treaty with the Mongols and withdrawing a score of forts. The Mongols then resumed attacks on the Tatars to avenge the death of their late khan, opening a long period of active hostilities. The Jin and Tatar armies defeated the Mongols in 1161.

During the rise of the Mongol Empire in the 13th century, the usually cold, parched steppes of central Asia enjoyed their mildest, wettest conditions in more than a millennium. It is thought that as a result, a rapid increase in the number of war horses and other livestock significantly enhanced Mongol military strength.

Known during his childhood as Temujin, Genghis Khan was the son of a Mongol chieftain. When his young wife Börte was kidnapped by a rival tribe, Temujin united the nomadic, previously ever-rivaling Mongol tribes under his rule through political manipulation and military might. His most powerful allies were his father's friend, Khereid chieftain Wang Khan Toghoril, and Temujin's childhood anda (friend) Jamukha of the Jadran clan. With their help, Temujin defeated the Merkit tribe, rescued his wife Börte, and went on to defeat the Naimans and Tatars.

Genghis Khan ascended the throne in the Yeke Quriltay region in the Onan river, from the Jami' al-tawarikh.

Temujin forbade looting of his enemies without permission, and he implemented a policy of sharing spoils with his Mongol warriors and their families instead of giving it all to the aristocrats. He thus held the Khan title. These policies brought him into conflict with his uncles, who were also legitimate heirs to the throne; they regarded Temujin not as leader but merely an insolent usurper. This controversy spread to his generals and other associates, and some Mongols who had previously been allies with him broke their allegiance.

War ensued, and Temujin and the forces still loyal to him prevailed, destroying all the remaining rival tribes from 1203–1205 and bringing them under his sway. In 1206, Temujin was crowned as the Khagan of the Yekhe Mongol Ulus (Great Mongol State) at a Kurultai (general assembly/council). It was there that he assumed the title of "Genghis Khan" (universal leader) instead of one of the old tribal titles such as Gur Khan or Tayang Khan, marking the start of the Mongol Empire.

Genghis Khan introduced many innovative ways of organizing his army, dividing it into decimal subsections of arbans (10 people), zuuns (100), Mingghans (1000), and tumens (10,000). The Kheshig, or the Imperial Guard, was founded and divided into day (khorchin torghuds) and night guards (khevtuul). Genghis rewarded those who had been loyal to him and placed them in high positions, placing them as heads of army units and households, even though many of his allies had been from very low-rank clans.

Mongol Empire circa 1207

Compared to the units he gave to his loyal companions, those assigned to his own family members were quite few. He proclaimed a new law of the empire, Ikh Zasag or Yassa, and codified everything related to the everyday life and political affairs of the nomads at the time. He forbade the selling of women, theft of other's properties, fighting between the Mongols, and the hunting of animals during the breeding season.

He appointed his adopted brother Shigi-Khuthugh supreme judge (jarughachi), ordering him to keep records of the empire. In addition to laws regarding family, food, and the army, Genghis also decreed religious freedom and supported domestic and international trade. He exempted the poor and the clergy from taxation. Thus, Muslims, Buddhists, and Christians from Manchuria, North China, India, and Persia joined Genghis long before his foreign conquests. He also encouraged literacy, adopting the Uyghur script, which would form the Uyghur-Mongolian script of the empire, and he ordered the Uyghur Tatatunga, who had previously served the khan of Naimans, to instruct his sons.

Genghis quickly came into conflict with the Jin dynasty of the Jurchens and the Western Xia of the Tanguts in northern China. He also had to deal with two other powers, Tibet and Khara Khitai. Towards the west he moved into Central Asia, devastating Transoxiana and eastern Persia, then raiding into Kievan Rus' (a predecessor state of Russia, Belarus, and Ukraine) and the Caucasus.

Coronation of Ögedei Khan in 1229 as the successor of Genghis Khan. By Rashid al-Din, early 14th century.

Before his death, Genghis Khan divided his empire among his sons and immediate family, making the Mongol Empire the joint property of the entire imperial family who, along with the Mongol aristocracy, constituted the ruling class.

Genghis Khan, and the following Yuan Emperors forbade Islamic practicies like Halal butchering, forcing Mongol methods of butchering animals on Muslims, and other restrictive degrees continued. Muslims had to slaughter sheep in secret. Genghis Khan directly called Muslims and Jews "slaves", and demanded that they follow the Mongol method of eating rather than the halal method. Circumcision was also forbidden. Jews were also affected, and forbidden by the Mongols to eat Kosher. Genghis Khan arranged for the Chinese Daoist master Qiu Chuji to visit him in Afghanistan and put him in charge of all religious affairs in the Empire.
(source)

>> The Mongol Empire was the largest contiguous land empire in history

The Mongol Empire existed during the 13th and 14th centuries and was the largest contiguous land empire in history. Originating in the steppes of Central Asia, the Mongol Empire eventually stretched from Eastern Europe to the Sea of Japan, extending northwards into Siberia, eastwards and southwards into the Indian subcontinent, Indochina, and the Iranian plateau, and westwards as far as the Levant and Arabia.

The Mongol Empire emerged from the unification of nomadic tribes in the Mongolia homeland under the leadership of Genghis Khan, who was proclaimed ruler of all Mongols in 1206. The empire grew rapidly under his rule and then under his descendants, who sent invasions in every direction. The vast transcontinental empire connected the east with the west with an enforced Pax Mongolica allowing trade, technologies, commodities, and ideologies to be disseminated and exchanged across Eurasia.

The empire began to split due to wars over succession, as the grandchildren of Genghis Khan disputed whether the royal line should follow from his son and initial heir Ögedei, or one of his other sons such as Tolui, Chagatai, or Jochi. The Toluids prevailed after a bloody purge of Ögedeid and Chagataid factions, but disputes continued even among the descendants of Tolui. After Möngke Khan died, rival kurultai councils simultaneously elected different successors, the brothers Ariq Böke and Kublai Khan, who then not only fought each other in the Toluid Civil War, but also dealt with challenges from descendants of other sons of Genghis. Kublai successfully took power, but civil war ensued as Kublai sought unsuccessfully to regain control of the Chagatayid and Ögedeid families.

Mongol invasion of Baghdad

The Battle of Ain Jalut in 1260 marked the high-water point of the Mongol conquests and was the first time a Mongol advance had ever been beaten back in direct combat on the battlefield. Though the Mongols launched many more invasions into the Levant, briefly occupying it and raiding as far as Gaza after a decisive victory at the Battle of Wadi al-Khazandar in 1299, they withdrew due to various geopolitical factors.

By the time of Kublai's death in 1294, the Mongol Empire had fractured into four separate khanates or empires, each pursuing its own separate interests and objectives: the Golden Horde khanate in the northwest; the Chagatai Khanate in the middle; the Ilkhanate in the southwest; and the Yuan dynasty in the east based in modern-day Beijing In 1304, the three western khanates briefly accepted the nominal suzerainty of the Yuan dynasty, but it was later overthrown by the Han Chinese Ming dynasty in 1368. The Genghisid rulers of the Yuan retreated to the Mongolia homeland and continued to rule the Northern Yuan dynasty, while the Golden Horde and the Chagatai Khanate lasted in one form or another for some additional centuries after the fall of the Yuan dynasty and the Ilkhanate.
(source)

>> Prehistory and antiquity Mongolia and Proto-Mongols

Homo erectus inhabited Mongolia from 850,000 years ago. Modern humans reached Mongolia approximately 40,000 years ago during the Upper Paleolithic. The Khoit Tsenkher Cave  in Khovd Province shows lively pink, brown, and red ochre paintings (dated to 20,000 years ago) of mammoths, lynx, bactrian camels, and ostriches, earning it the nickname "the Lascaux of Mongolia". The venus figurines of Mal'ta (21,000 years ago) testify to the level of Upper Paleolithic art in northern Mongolia; Mal'ta is now part of Russia.

Mongolian ordos (palaces) were likened to "cities on the move" (Plano Carpini).

Neolithic agricultural settlements (c. 5500–3500 BCE), such as those at Norovlin, Tamsagbulag, Bayanzag, and Rashaan Khad, predated the introduction of horse-riding nomadism, a pivotal event in the history of Mongolia and becoming the dominant culture. Horse-riding nomadism has been documented by archeological evidence in Mongolia during the Copper and Bronze Age Afanasevo culture (3500–2500 BCE); this culture was active to the Khangai Mountains in Central Mongolia. The wheeled vehicles found in the burials of the Afanasevans have been dated to before 2200 BCE. Pastoral nomadism and metalworking became more developed with the later Okunev culture (2nd millennium BCE), Andronovo culture (2300–1000 BCE) and Karasuk culture (1500–300 BCE), culminating with the Iron Age Xiongnu Empire in 209 BCE. Monuments of the pre-Xiongnu Bronze Age include deer stones, keregsur kurgans, square slab tombs, and rock paintings.

Although cultivation of crops has continued since the Neolithic, agriculture has always remained small in scale compared to pastoral nomadism. Agriculture may have first been introduced from the west or arose independently in the region. The population during the Copper Age has been described as mongoloid in the east of what is now Mongolia, and as europoid in the west. Tocharians (Yuezhi) and Scythians inhabited western Mongolia during the Bronze Age.

Pasture land in Arkhangai Province. Mongolia was the heartland of many nomadic empires.

The mummy of a Scythian warrior, which is believed to be about 2,500 years old, was a 30- to 40-year-old man with blond hair; it was found in the Altai, Mongolia. As horse nomadism was introduced into Mongolia, the political center of the Eurasian Steppe also shifted to Mongolia, where it remained until the 18th century CE. The intrusions of northern pastoralists (e.g., Guifang, Shanrong, Donghu) into China during the Shang dynasty (1600–1046 BCE) and Zhou dynasty (1046–256 BCE) presaged the age of nomadic empires.

Since prehistoric times, Mongolia has been inhabited by nomads who, from time to time, formed great confederations that rose to power and prominence. Common institutions were the office of the Khan, the Kurultai (Supreme Council), left and right wings, imperial army (Keshig) and the decimal military system. The first of these empires, the Xiongnu of undetermined ethnicity, were brought together by Modu Shanyu to form a confederation in 209 BCE. Soon they emerged as the greatest threat to the Qin Dynasty, forcing the latter to construct the Great Wall of China. It was guarded by up to almost 300,000 soldiers during marshal Meng Tian's tenure, as a means of defense against the destructive Xiongnu raids.

7th-century finds found 180 km (112 mi) from Ulaanbaatar. Kept in Ulaanbaatar. A constant theme in Mongolian history is its relations with China.

The vast Xiongnu empire (209 BCE–93 BE) was followed by the Mongolic Xianbei empire (93–234 CE), which also ruled more than the entirety of present-day Mongolia. The Mongolic Rouran Khaganate (330–555), of Xianbei provenance was the first to use "Khagan" as an imperial title. It ruled a massive empire before being defeated by the Göktürks (555–745) whose empire was even bigger.

The Göktürks laid siege to Panticapaeum, present-day Kerch, in 576. They were succeeded by the Uyghur Khaganate (745–840) who were defeated by the Kyrgyz. The Mongolic Khitans, descendants of the Xianbei, ruled Mongolia during the Liao Dynasty (907–1125), after which the Khamag Mongol (1125–1206) rose to prominence.
(source)