>> Boxing historically, the goals have been to weaken and knock down the opponent

Boxing is a martial art and combat sport in which two people throw punches at each other, usually with gloved hands. Historically, the goals have been to weaken and knock down the opponent.

Amateur boxing is both an Olympic and Commonwealth sport and is a common fixture in most international games—it also has its own World Championships. Boxing is supervised by a referee over a series of one- to three-minute intervals called rounds. The result is decided when an opponent is deemed incapable to continue by a referee, is disqualified for breaking a rule, resigns by throwing in a towel, or is pronounced the winner or loser based on the judges' scorecards at the end of the contest. In the event that both fighters gain equal scores from the judges, the fight is considered a draw (professional boxing). In Olympic boxing, due to the fact that a winner must be declared, in the case of a draw - the judges use technical criteria to choose the most deserving winner of the bout.

Ingemar Johansson of Sweden KO's heavyweight champion Floyd Patterson, 26 June 1959.

While people have fought in hand-to-hand combat since before the dawn of history, the origin of boxing as an organized sport may be its acceptance by the ancient Greeks as an Olympic game in BC 688. Boxing evolved from 16th- and 18th-century prizefights, largely in Great Britain, to the forerunner of modern boxing in the mid-19th century, again initially in Great Britain and later in the United States.

The earliest known depiction of boxing comes from a Sumerian relief in Iraq from the 3rd millennium BCE Later depictions from the 2nd millennium BC are found in reliefs from the Mesopotamian nations of Assyria and Babylonia, and in Hittite art from Asia Minor. The earliest evidence for fist fighting with any kind of gloves can be found on Minoan Crete (c.1650–1400 BCE), and on Sardinia, if we consider the boxing statues of Prama mountains (c. 2000–1000 BC). 

Boxing was a popular spectator sport in Ancient Rome. In order for the fighters to protect themselves against their opponents they wrapped leather thongs around their fists. Eventually harder leather was used and the thong soon became a weapon. The Romans even introduced metal studs to the thongs to make the cestus which then led to a more sinister weapon called the myrmex ('limb piercer'). Fighting events were held at Roman Amphitheatres. The Roman form of boxing was often a fight until death to please the spectators who gathered at such events. However, especially in later times, purchased slaves and trained combat performers were valuable commodities, and their lives were not given up without due consideration. Often slaves were used against one another in a circle marked on the floor. This is where the term ring came from. In AD 393, during the Roman gladiator period, boxing was abolished due to excessive brutality. It was not until the late 17th century that boxing re-surfaced in London. 

Ricardo Dominguez (left) throws an uppercut on Rafael Ortiz (right).

Through the late nineteenth century, the martial art of boxing or prizefighting was primarily a sport of dubious legitimacy. Outlawed in England and much of the United States, prizefights were often held at gambling venues and broken up by police. Brawling and wrestling tactics continued, and riots at prizefights were common occurrences. Still, throughout this period, there arose some notable bare knuckle champions who developed fairly sophisticated fighting tactics.

The English case of R v. Coney in 1882 found that a bare-knuckle fight was an assault occasioning actual bodily harm, despite the consent of the participants. This marked the end of widespread public bare-knuckle contests in England.

The first world heavyweight champion under the Queensberry Rules was "Gentleman Jim" Corbett, who defeated John L. Sullivan in 1892 at the Pelican Athletic Club in New Orleans. 

The first instance of film censorship in the United States occurred in 1897 when several states banned the showing of prize fighting films from the state of Nevada, where it was legal at the time.

Throughout the early twentieth century, boxers struggled to achieve legitimacy.[citation needed] They were aided by the influence of promoters like Tex Rickard and the popularity of great champions such as John L. Sullivan.

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>> Pencak Silat is an umbrella term for a class of related martial arts originating in the Indonesia

Pencak Silat is an umbrella term for a class of related martial arts originating in the Indonesia. It is a full-body fighting form incorporating strikes, grappling and throwing in addition to weaponry. Every part of the body is used and subject to attack. Pencak silat was practiced not only for physical defense but also for psychological ends. 

The leading organization of pencak silat in Indonesia is IPSI (Ikatan Pencak Silat Indonesia, meaning Pencak Silat Association of Indonesia). The liaison body for international pencak silat is the International Pencak Silat Association or PERSILAT (Persekutuan Pencak Silat Antara Bangsa).

Silat Betawi demonstration in Jakarta

Although the word silat is widely known through much of South East Asia, the term pencak silat is used mainly in Indonesia. Pencak silat was chosen in 1948 as a unifying term for the Indonesian fighting styles. It was a compound of the two most commonly used words for martial arts in Indonesia. Pencak was the term used in central and east Java, while silat was used in Sumatra and Borneo. In modern usage, pencak and silat are seen as being two aspects of the same practice. Pencak is the essence of training, the outward aspect of the art which a casual observer is permitted to witness as performance. Silat is the essence of combat and self-defense, the true fighting application of the techniques which are kept secret from outsiders and not divulged to students until the guru deems them ready. It is often said by practitioners that silat cannot exist without pencak, on the other hand pencak without silat skills is purposeless. 

The origin of the words pencak and silat have not been proven. Some believe that pencak comes from the Sanskrit word pancha meaning five, or from the Chinese pencha meaning to avert or deflect. 
Other terms may be used in particular dialects such as silek, penca, mancak, maen po or main-po.

Pencak silat in West Sumatra

Dutch East Indian newspapers of the colonial era recorded the terms for martial arts under Dutch spellings. These include silat, pencak (spelled in Dutch as "pentjak"), penca ("pentjah"), mancak ("mentjak"), manca ("mentjah"), and pukulan ("poekoelan"). In 1881 a magazine calls mancak a Batak fencing game "with long swords, daggers or wood (mentjah)" These papers described mancak as Malayan (Maleidsche) suggesting that the word originates in Sumatra. These terms were used separately from silat in the Dutch East Indies. The terms pukulan or main pukulan (spelled "maen poekoelan" in Dutch) referred to the fighting systems of Jakarta but was also used generally for the martial arts of other parts of Indonesia such as Sumatra and Lombok. Believed to be a Betawi term, it derives from the words for play (main) and hit (pukulan).

The oral history of Indonesia begins with the arrival of Aji Saka (lit. primordial king) from India to Java. At the request of the local people, he successfully killed the ogre King Dewata Cengkar of Medang Kamulan in battle and took his place as ruler. This story traditionally marks the rise of Java and the dawn of its Dharmic civilisation. The tale also illustrates the influence India had on Indonesian and Southeast Asian culture in general. Aji Saka is shown to be a fighter and swordsman, while his servants are also depicted as fighting with daggers. Ancient Indonesian art from this period also depicts warriors mounted on elephants wielding Chinese weapons such as the jian or straight double-edge sword, which is still used in some styles today. The martial arts of Indonesia's Chinese community still exist and are known as kuntao. 

Bas-relief of a battle scene at Prambanan Temple depicting weapons of the time such as the sword, shield, club, bow, and a kris-like dagger

The earliest evidence of pencak silat being taught in a structured manner comes from 6th-century Riau, Sumatra. Sumatran folklore tells that it was created by a woman named Rama Sukana who witnessed a fight between a tiger and a large bird. By using the animals' movements, she was able to fend off a group of drunken men that attacked her. She then taught the techniques to her husband Rama Isruna from whom they were formally passed down. There are several variations of this story depending on the region where it is told. On the island of Boyan (Bawean), Rama Sukana is believed to have watched monkeys fighting each other while the Sundanese of West Java believe that she saw a monkey battle a tiger. The fact that this legend attributes silat to a woman is thought to indicate its age, considering the prominence of women in traditional Southeast Asian society.

Evidence shows that pencak silat had been used consistently through Indonesia’s history.[9] From its birthplace in Riau, the art spread to the Minangkabau capital in West Sumatra. The Minangkabau had a feudal government. Military officers called hulubalang acted as bodyguards to the king or yam tuan. Minang warriors served without pay, all skilled horsemen with the native pony. The plunder was divided among them according to military merit, so fighters strove to outdo each other. Stealth and ambush were their preferred war tactics, and the Minangkabau are said to have been among the best assassins in the world when dispatched singly. They were also expert bladesmiths, producing arms both for their own use and for export to Aceh 

Pencak silat further spread to Srivijaya which dominated the coastal areas, while the Sailendra and Medang Kingdoms ruled central Java where the fighting arts developed in three geographical regions: West Java, Central Java, and East Java. Pencak silat especially flourished in Java which is now home to more different styles than any other Indonesian islands. In the 13th century, Srivijaya was defeated by the Tamil Cholas of south India. The Tamil stick fighting art of silambam is still the most common Indian fighting system in Southeast Asia today.

Balinese warriors armed with kris in the 1880s

During the 13th century, the warrior-king Kertanegara of Singhasari conquered the Melayu Kingdom, Maluku Islands, Bali, and other neighbouring areas. From 1280-1289, Kublai Khan sent envoys demanding that Singhasari submit to the Khan as Jambi and Melayu had already done, but Kertanegara responded defiantly by scarring the last envoy's face. Kublai Khan retaliated by sending a punitive expedition of 1000 junks to Java, but Kertanegara had already been killed by a vassal in Kediri before the Yuan force arrived. 

His son-in-law Raden Wijaya replaced Kertanegara as leader and allied himself with the arriving Mongol army. With their help Raden Wijaya was able to defeat the Kediri forces. With his silat-trained warriors, Raden Wijaya then turned on the Mongols so that they fled back to China. The village he founded became the Majapahit empire. This was the first empire to unite all of Indonesia's major islands, and Javanese pencak silat reached its technical zenith during this period. In Majapahit, pencak silat became the specialised property of the nobility and its advanced secrets were hidden from commoners. For example, Merpati Putih is said to have been kept secret in the palaces of Java until the 20th century.
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>> Many ancient traditions have been preserved in sumo - Japan

Sumo is a competitive full-contact wrestling sport where a rikishi (wrestler) attempts to force another wrestler out of a circular ring (dohyō) or into touching the ground with anything other than the soles of his feet. The characters, 相撲 literally mean "striking one another".

The sport originated in Japan, the only country where it is practiced professionally. It is generally considered a gendai budō (a modern Japanese martial art), but this definition is misleading as the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo and even today the sport includes many ritual elements such as the use of salt purification, from the days when sumo was used in the Shinto religion. Life as a wrestler is highly regimented, with rules regulated by the Japan Sumo Association. Most sumo wrestlers are required to live in communal sumo training stables, known in Japanese as heya, where all aspects of their daily lives—from meals to their manner of dress—are dictated by strict tradition.

A sumo match (tori-kumi) between former yokozuna Asashōryū (left) and then-komusubi Kotoshōgiku in January 2008.

In recent years, a number of high-profile controversies and scandals rocked the sumo world, with an associated effect on its reputation and ticket sales, while also affecting the sport's ability to attract new recruits. Despite this setback, sumo's popularity and general attendance has rebounded due to having multiple yokozuna (or grand champions) for the first time in a number of years and other high profile wrestlers such as Endō and Ichinojō grabbing the public's attention. 

In addition to its use as a trial of strength in combat, sumo has also been associated with Shinto ritual, and even certain shrines carry out forms of ritual dance where a human is said to wrestle with a kami (a Shinto divine spirit); see Shinto origins of sumo. It was an important ritual at the imperial court, where representatives of each province were ordered to attend the contest at the court and fight. The contestants were required to pay for their travels themselves. The contest was known as sumai no sechie, or "sumai party." 

Cross-influence from other nations adjacent to Japan, sharing many cultural traditions, cannot be ruled out as they also feature styles of traditional wrestling that bear resemblance to sumo. Notable examples include Mongolian wrestling, Chinese Shuai jiao, and Korean Ssireum.

Sumo wrestlers gather in a circle around the gyōji (referee) in the dohyō-iri (ring-entering ceremony).

Over the rest of Japanese recorded history, sumo's popularity has changed according to the whims of its rulers and the need for its use as a training tool in periods of civil strife. The form of wrestling combat changed gradually into one where the main aim in victory was to throw one's opponent. The concept of pushing one's opponent out of a defined area came some time later.

It is also believed that a ring, defined as something other than simply the area given to the wrestlers by spectators, came into being in the 16th century as a result of a tournament organized by the then principal warlord in Japan, Oda Nobunaga. At this point wrestlers would wear loose loincloths rather than the much stiffer mawashi wrestling belts of today. During the Edo period, wrestlers would wear a fringed decorative apron called a kesho-mawashi during the match, whereas today these are worn only during pre-tournament rituals. Most of the rest of the current forms within the sport developed in the early Edo period.

Professional sumo  roots trace back to the Edo period in Japan as a form of sporting entertainment. The original wrestlers were probably samurai, often rōnin, who needed to find an alternative form of income. Current professional sumo tournaments began in the Tomioka Hachiman Shrine in 1684, and then were held in the Ekō-in in the Edo period. Western Japan also had its own sumo venues and tournaments in this period with the most prominent center being in Osaka. Osaka sumo continued to the end of the Taishō period in 1926, when it merged with Tokyo sumo to form one organization. 

Young low-ranking sumo wrestlers at the Tomozuna Stable in Tokyo end their daily workout routine with a footwork drill

For a short period after this, four tournaments were held a year, two tournaments in locations in western Japan such as Nagoya, Osaka and Fukuoka, and two in the Ryōgoku Kokugikan in Tokyo. From 1933 onward, tournaments were held almost exclusively in the Ryōgoku Kokugikan, until the American occupation forces appropriated it and the tournaments moved to Meiji Shrine until the 1950s. Then an alternate location, the Kuramae Kokugikan near Ryōgoku, was built for sumo. Also in this period, the Sumo Association began expanding to venues in western Japan again, reaching a total of six tournaments a year by 1958, with half of them in Kuramae. In 1984, the Ryōgoku Kokugikan was rebuilt and sumo tournaments in Tokyo have been held there ever since.
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>> Judo was created as a physical, mental and moral pedagogy in Japan 1882

Judo was created as a physical, mental and moral pedagogy in Japan, in 1882, by Kanō Jigorō. It is generally categorized as a modern martial art which later evolved into a combat and Olympic sport. Its most prominent feature is its competitive element, where the objective is to either throw or takedown an opponent to the ground, immobilize or otherwise subdue an opponent with a pin, or force an opponent to submit with a joint lock or a choke. Strikes and thrusts by hands and feet as well as weapons defenses are a part of judo, but only in pre-arranged forms and are not allowed in judo competition or free practice  . A judo practitioner is called a judoka.

Kyuzo Mifune (left) and Kanō Jigorō (right)

The philosophy and subsequent pedagogy developed for judo became the model for other modern Japanese martial arts that developed from koryū ( traditional schools ). The worldwide spread of judo has led to the development of a number of offshoots such as Sambo and Brazilian jiu-jitsu.

The early history of judo is inseparable from its founder, Japanese polymath and educator Kanō Jigorō, Jigoro Kano, 1860–1938), born Kanō Shinnosuke. Kano was born into a relatively affluent family. His father, Jirosaku, was the second son of the head priest of the Shinto Hiyoshi shrine in Shiga Prefecture. He married Sadako Kano, daughter of the owner of Kiku-Masamune sake brewing company and was adopted by the family, changing his name to Kano, and ultimately became an official in the Shogunal government. 

Jigoro Kano had an academic upbringing and, from the age of seven, he studied English, shodō and the Four Confucian Texts under a number of tutors. When he was fourteen, Kano began boarding at an English-medium school, Ikuei-Gijuku in Shiba, Tokyo. The culture of bullying endemic at this school was the catalyst that caused Kano to seek out a Jūjutsu at which to train. 

Indonesian Police Cadets doing a Judo throw during training circa 1976

Early attempts to find a jujutsu teacher who was willing to take him on met with little success. With the fall of the Tokugawa shogunate in the Meiji Restoration of 1868, jujutsu had become unfashionable in an increasingly westernised Japan. Many of those who had once taught the art had been forced out of teaching or become so disillusioned with it that they had simply given up. Nakai Umenari, an acquaintance of Kanō's father and a former soldier, agreed to show him kata, but not to teach him. The caretaker of Jirosaku's second house, Katagiri Ryuji, also knew jujutsu, but would not teach it as he believed it was no longer of practical use. Another frequent visitor, Imai Genshiro of Kyūshin-ryū (扱心流?) school of jujutsu, also refused. Several years passed before he finally found a willing teacher. 

In 1877, as a student at the Tokyo-Kaisei school (soon to become part of the newly founded Tokyo Imperial University), Kano learned that many jujutsu teachers had been forced to pursue alternative careers, frequently opening Seikotsu-in (整骨院?, traditional osteopathy practices). After inquiring at a number of these, Kano was referred to Fukuda Hachinosuke (c.1828–1880), a teacher of the Tenjin Shin'yō-ryū (天神真楊流?) of jujutsu, who had a small nine mat dojo where he taught five students. Fukuda is said to have emphasized technique over formal exercise, sowing the seeds of Kano's emphasis on randori (乱取り?, randori, free practice) in judo.

Yoshihiko Yoshimatsu attempting to throw Toshiro Daigo with an uchi mata in the final of the 1951 All-Japan Judo Championships

On Fukuda's death in 1880, Kano, who had become his keenest and most able student in both randori and kata, was given the densho (伝書?, scrolls) of the Fukuda dojo. Kano chose to continue his studies at another Tenjin Shin'yō-ryū school, that of Iso Masatomo (c.1820–1881). Iso placed more emphasis on the practice of "kata", and entrusted randori instruction to assistants, increasingly to Kano. Iso died in June 1881 and Kano went on to study at the dojo of Iikubo Tsunetoshi (1835–1889) of Kitō-ryū (起倒流?). Like Fukuda, Iikubo placed much emphasis on randori, with Kitō-ryū having a greater focus on nage-waza (投げ技?, throwing techniques). 
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>> Karate developed from the indigenous martial arts under the influence of Chinese martial arts

Karate is a martial art developed on the Ryukyu Islands in what is now Okinawa, Japan. It developed from the indigenous martial arts of Ryukyu Islands under the influence of Chinese martial arts, particularly Fujian White Crane. Karate is now predominantly a striking art using punching, kicking, knee strikes, elbow strikes and open hand techniques such as knife-hands, spear-hands, and palm-heel strikes. Historically and in some modern styles grappling, throws, joint locks, restraints, and vital point strikes are also taught.  A karate practitioner is called a karateka.

Hanashiro Chomo

Karate developed in the Ryukyu Kingdom. It was brought to the Japanese mainland in the early 20th century during a time of cultural exchanges between the Japanese and the Chinese. It was systematically taught in Japan after the Taisho era. In 1922 the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. In 1924 Keio University established the first university karate club in mainland Japan and by 1932, major Japanese universities had karate clubs. In this era of escalating Japanese militarism,  the name was changed from 唐手 ("Chinese hand" or "Tang hand") to 空手 ("empty hand") – both of which are pronounced karate – to indicate that the Japanese wished to develop the combat form in Japanese style.[8] After World War II, Okinawa became an important United States military site and karate became popular among servicemen stationed there. 

Motobu Chōki in Naihanchi-dachi, one of the basic karate stances

The martial arts movies of the 1960s and 1970s served to greatly increase the popularity of martial arts around the world, and in English the word karate began to be used in a generic way to refer to all striking-based Oriental martial arts. Karate schools began appearing across the world, catering to those with casual interest as well as those seeking a deeper study of the art.

Shigeru Egami, Chief Instructor of Shotokan Dojo, opined that "the majority of followers of karate in overseas countries pursue karate only for its fighting techniques ... Movies and television ... depict karate as a mysterious way of fighting capable of causing death or injury with a single blow ... the mass media present a pseudo art far from the real thing." Shoshin Nagamine said, "Karate may be considered as the conflict within oneself or as a life-long marathon which can be won only through self-discipline, hard training and one's own creative efforts." 

Ankō Itosu, Grandfather of Modern Karate

In 2009, in the 121st International Olympic Committee voting, karate did not receive the necessary two-thirds majority vote to become an Olympic sport. Karate was being considered for the 2020 Olympics, however at a meeting of the IOC's executive board, held in Russia on May 29, 2013, it was decided that karate (along with wushu and several non-martial arts) would not be considered for inclusion in 2020 at the IOC's 125th session in Buenos Aires, Argentina, in September 2013. 

Web Japan (sponsored by the Japanese Ministry of Foreign Affairs) claims there are 50 million karate practitioners worldwide, while the World Karate Federation claims there are 100 million practitioners around the world. 
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>> The Shaolin style of kung fu is regarded as one of the first institutionalized Chinese martial arts

Chinese martial arts, often labeled under the umbrella terms kung fu and wushu are the several hundreds of fighting styles that have developed over the centuries in China. These fighting styles are often classified according to common traits, identified as "families" (家; jiā), "sects" (派; pài) or "schools" (門; mén) of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving Five Animals (五形) mimicry, or training methods inspired by Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called "external" (外家拳; wàijiāquán). Geographical association, as in northern (北拳; běiquán) and "southern" (南拳; nánquán), is another popular classification method.

Kung fu and wushu are loanwords from Chinese that, in English, are used to refer to Chinese martial arts. However, the Chinese terms kung fu and wushu (About this sound listen (Mandarin) (help·info); Cantonese: móuh-seuht) have distinct meanings. The Chinese equivalent of the term "Chinese martial arts" would be Zhongguo wushu (Chinese: 中國武術; pinyin: zhōngguó wǔshù) (Mandarin).

In Chinese, the term kung fu (功夫) refers to any skill that is acquired through learning or practice. It is a compound word composed of the words 功 (gōng) meaning "work", "achievement", or "merit", and 夫 (fū) which is a particle or nominal suffix with diverse meanings.

Wǔshù literally means "martial art". It is formed from the two words 武術: 武 (wǔ), meaning "martial" or "military" and 術 or 术 (shù), which translates into "art" , "discipline", "skill" or "method". The term wushu has also become the name for the modern sport of wushu, an exhibition and full-contact sport of bare-handed and weapons forms (Chinese: 套路), adapted and judged to a set of aesthetic criteria for points developed since 1949 in the People's Republic of China. 

Quan fa (拳法) is another Chinese term for Chinese martial arts. It means "fist method" or "the law of the fist" (quan means "boxing" or "fist", and fa means "law", "way" or "method"), although as a compound term it usually translates as "boxing" or "fighting technique." The name of the Japanese martial art Kempō is represented by the same hanzi characters.

The genesis of Chinese martial arts has been attributed to the need for self-defense, hunting techniques and military training in ancient China. Hand-to-hand combat and weapons practice were important in training ancient Chinese soldiers. 

Detailed knowledge about the state and development of Chinese martial arts became available from the Nanjing decade (1928–1937), as the Central Guoshu Institute established by the Kuomintang regime made an effort to compile an encyclopedic survey of martial arts schools. Since the 1950s, the People's Republic of China has organized Chinese martial arts as an exhibition and full-contact sport under the heading of Wushu.

According to legend, Chinese martial arts originated during the semi-mythical Xia Dynasty (夏朝) more than 4,000 years ago. It is said the Yellow Emperor (Huangdi) (legendary date of ascension 2698 BCE) introduced the earliest fighting systems to China. The Yellow Emperor is described as a famous general who, before becoming China’s leader, wrote lengthy treatises on medicine, astrology and the martial arts. One of his main opponents was Chi You (蚩尤) who was credited as the creator of jiao di, a forerunner to the modern art of Chinese Wrestling. 

The Shaolin style of kung fu is regarded as one of the first institutionalized Chinese martial arts. The oldest evidence of Shaolin participation in combat is a stele from 728 CE that attests to two occasions: a defense of the Shaolin Monastery from bandits around 610 CE, and their subsequent role in the defeat of Wang Shichong at the Battle of Hulao in 621 CE. From the 8th to the 15th centuries, there are no extant documents that provide evidence of Shaolin participation in combat.

Between the 16th and 17th centuries, at least forty sources exist to provide evidence both that monks of Shaolin practiced martial arts, and that martial practice became an integral element of Shaolin monastic life. The earliest appearance of the frequently cited legend concerning Bodhidharma's supposed foundation of Shaolin Kung Fu dates to this period. The origin of this legend has been traced to the Ming period's Yijin Jing or "Muscle Change Classic", a text written in 1624 attributed to Bodhidharma.

References of martial arts practice in Shaolin appear in various literary genres of the late Ming: the epitaphs of Shaolin warrior monks, martial-arts manuals, military encyclopedias, historical writings, travelogues, fiction and poetry. However these sources do not point out to any specific style originated in Shaolin.[ These sources, in contrast to those from the Tang period, refer to Shaolin methods of armed combat. These include a skill for which Shaolin monks became famous: the staff (gùn, Cantonese gwan). The Ming General Qi Jiguang included description of Shaolin Quan Fa (Chinese: 少林拳法; Wade–Giles: Shao Lin Ch'üan Fa; literally: "Shaolin fist technique"; Japanese: Shorin Kempo) and staff techniques in his book, Ji Xiao Xin Shu (紀效新書), which can translate as New Book Recording Effective Techniques. When this book spread to East Asia, it had a great influence on the development of martial arts in regions such as 
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>> A ninja or shinobi was a covert agent or mercenary in feudal Japan

A ninja (忍者?) or shinobi (忍び?) was a covert agent or mercenary in feudal Japan. The functions of the ninja included: espionage, sabotage, infiltration, assassination and guerrilla warfare. Their covert methods of waging irregular warfare were deemed "dishonorable" and "beneath" the samurai-caste, who observed strict rules about honor and combat. The shinobi proper, a specially trained group of spies and mercenaries, appeared in the Sengoku or "warring states" period, in the 15th century, but antecedents may have existed in the 14th century, and possibly in the 12th century (Heian or early Kamakura era). 

A komusō monk is one of many possible disguises

In the unrest of the Sengoku period (15th–17th centuries), mercenaries and spies for hire became active in the Iga Province and the adjacent area around the village of Kōga, and it is from the area's clans that much of our knowledge of the ninja is drawn. Following the unification of Japan under the Tokugawa shogunate (17th century), the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshukai (1676). 

By the time of the Meiji Restoration (1868), the tradition of the shinobi had become a topic of popular imagination and mystery in Japan. Ninja figured prominently in folklore and legend and it is often difficult to separate fact from myth. Some legendary abilities purported to be in the province of ninja training include invisibility, walking on water and control over the natural elements. As a consequence, their perception in western popular culture in the 20th century is often based more on such legend and folklore than on the spies of the Sengoku period. 

Makibishi, iron caltrops

Ninja is an on'yomi (Early Middle Chinese-influenced) reading of the two kanji "忍者". In the native kun'yomi kanji reading, it is pronounced shinobi, a shortened form of the transcription shinobi-no-mono (忍の者).  The word shinobi appears in the written record as far back as the late 8th century in poems in the Man'yōshū. The underlying connotation of shinobi (忍) means "to steal away; to hide" and — by extension — "to forbear", hence its association with stealth and invisibility. Mono (者) means "a person".

Historically, the word ninja was not in common use, and a variety of regional colloquialisms evolved to describe what would later be dubbed ninja. Along with shinobi, some examples include monomi ("one who sees"), nokizaru ("macaque on the roof"), rappa ("ruffian"), kusa ("grass") and Iga-mono ("one from Iga"). In historical documents, shinobi is almost always used. Kunoichi, meaning a female ninja, supposedly came from the characters くノ一 (pronounced ku, no and ichi), which make up the three strokes that form the kanji for "woman" (女).

A pair of kusarigama, on display in Iwakuni Castle

In the West, the word ninja became more prevalent than shinobi in the post-World War II culture, possibly because it was more comfortable for Western speakers. In English, the plural of ninja can be either unchanged as ninja, reflecting the Japanese language's lack of grammatical number, or the regular English plural ninjas. 
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>> The samurai were usually associated with a clan and their lord

Samurai were the military-nobility and officer-caste of medieval and early-modern Japan. In Japanese, they are usually referred to as bushi. According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning "to wait upon" or "accompany persons" in the upper ranks of society, and this is also true of the original term in Japanese, saburau. In both countries the terms were nominalized to mean "those who serve in close attendance to the nobility", the pronunciation in Japanese changing to saburai. According to Wilson, an early reference to the word "samurai" appears in the Kokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century. 

Samurai in armor

By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class. The samurai were usually associated with a clan and their lord, were trained as officers in military tactics and grand strategy, and they followed a set of rules that later came to be known as the bushidō. While the samurai numbered less than 10% of then Japan's population, their teachings can still be found today in both everyday life and in modern Japanese martial arts.

The English sailor and adventurer William Adams (1564–1620) was the first Westerner to receive the dignity of samurai. The Shogun Tokugawa Ieyasu presented him with two swords representing the authority of a samurai, and decreed that William Adams the sailor was dead and that Anjin Miura (三浦按針), a samurai, was born. Adams also received the title of hatamoto (bannerman), a high-prestige position as a direct retainer in the Shogun's court. He was provided with generous revenues: "For the services that I have done and do daily, being employed in the Emperor's service, the Emperor has given me a living" (Letters). He was granted a fief in Hemi (逸見) within the boundaries of present-day Yokosuka City, "with eighty or ninety husbandmen, that be my slaves or servants" (Letters). His estate was valued at 250 koku. He finally wrote "God hath provided for me after my great misery", (Letters) by which he meant the disaster-ridden voyage that initially brought him to Japan.

The first Western samurai William Adams (1564–1620)

Jan Joosten van Lodensteijn (1556?–1623?), a Dutch colleague of Adams' on their ill-fated voyage to Japan in the ship De Liefde, was also given similar privileges by Tokugawa Ieyasu. It appears Joosten became a samurai[citation needed] and was given a residence within Ieyasu's castle at Edo. Today, this area at the east exit of Tokyo Station is known as Yaesu (八重洲). Yaesu is a corruption of the Dutchman's Japanese name, Yayousu (耶楊子). Also in common with Adam's, Joostens was given a Red Seal Ship (朱印船) allowing him to trade between Japan and Indo-China. On a return journey from Batavia Joosten drowned after his ship ran aground.

During the Boshin War (1868–1869), French soldiers joined the forces of the Shogun against the Southern Daimyos favorable to the restoration of the Meiji Emperor. It is recorded that the French Navy officer Eugène Collache fought in samurai attire with his Japanese brothers-in-arms.

The French Navy officer Eugène Collache fought for the Shogun as a samurai during the Boshin War (1869)

In the same war, the Prussian Edward Schnell served the Aizu domain as a military instructor and procurer of weapons. He was granted the Japanese name Hiramatsu Buhei (平松武兵衛), which inverted the characters of the daimyo's name Matsudaira. Hiramatsu (Schnell) was given the right to wear swords, as well as a residence in the castle town of Wakamatsu, a Japanese wife, and retainers. In many contemporary references, he is portrayed wearing a Japanese kimono, overcoat, and swords, with Western riding trousers and boots.
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>> Native Americans have lived in the Yellowstone region for at least 11,000 years

Yellowstone National Park is a national park located primarily in the U.S. state of Wyoming, although it also extends into Montana and Idaho. It was established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872. Yellowstone, the first National Park in the U.S. and widely held to be the first national park in the world, is known for its wildlife and its many geothermal features, especially Old Faithful Geyser, one of the most popular features in the park. It has many types of ecosystems, but the subalpine forest is the most abundant. It is part of the South Central Rockies forests ecoregion.

Native Americans have lived in the Yellowstone region for at least 11,000 years. Aside from visits by mountain men during the early-to-mid-19th century, organized exploration did not begin until the late 1860s. Management of the park originally fell under the jurisdiction of the Secretary of the Interior. However, the U.S. Army was subsequently commissioned to oversee management of Yellowstone for a 30-year period between 1886 and 1916. In 1917, administration of the park was transferred to the National Park Service, which had been created the previous year. Hundreds of structures have been built and are protected for their architectural and historical significance, and researchers have examined more than 1,000 archaeological sites.

Yellowstone National Park spans an area of 3,468.4 square miles (8,983 km2), comprising lakes, canyons, rivers and mountain ranges. Yellowstone Lake is one of the largest high-elevation lakes in North America and is centered over the Yellowstone Caldera, the largest supervolcano on the continent. The caldera is considered an active volcano. It has erupted with tremendous force several times in the last two million years. Half of the world's geothermal features are in Yellowstone, fueled by this ongoing volcanism. Lava flows and rocks from volcanic eruptions cover most of the land area of Yellowstone. The park is the centerpiece of the Greater Yellowstone Ecosystem, the largest remaining nearly-intact ecosystem in the Earth's northern temperate zone. 

Hundreds of species of mammals, birds, fish and reptiles have been documented, including several that are either endangered or threatened. The vast forests and grasslands also include unique species of plants. Yellowstone Park is the largest and most famous megafauna location in the Continental United States. Grizzly bears, wolves, and free-ranging herds of bison and elk live in the park. The Yellowstone Park bison herd is the oldest and largest public bison herd in the United States. Forest fires occur in the park each year; in the large forest fires of 1988, nearly one third of the park was burnt. Yellowstone has numerous recreational opportunities, including hiking, camping, boating, fishing and sightseeing. Paved roads provide close access to the major geothermal areas as well as some of the lakes and waterfalls. During the winter, visitors often access the park by way of guided tours that use either snow coaches or snowmobiles.
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>> The fall of the Berlin Wall paved the way for German reunification

The Berlin Wall was a barrier that divided Berlin from 1961 to 1989. Constructed by the German Democratic Republic (GDR, East Germany), starting on 13 August 1961, the Wall completely cut off (by land) West Berlin from surrounding East Germany and from East Berlin until government officials opened it in November 1989. Its demolition officially began on 13 June 1990 and was completed in 1992. The barrier included guard towers placed along large concrete walls, which circumscribed a wide area (later known as the "death strip") that contained anti-vehicle trenches, "fakir beds" and other defenses.

View from the West Berlin side of graffiti art on the Wall in 1986. The Wall's "death strip", on the east side of the Wall, here follows the curve of the Luisenstadt Canal (filled in 1932).

The Eastern Bloc claimed that the Wall was erected to protect its population from fascist elements conspiring to prevent the "will of the people" in building a socialist state in East Germany. In practice, the Wall served to prevent the massive emigration and defection that had marked East Germany and the communist Eastern Bloc during the post-World War II period.

The Berlin Wall was officially referred to as the "Anti-Fascist Protective Wall" (German: Antifaschistischer Schutzwall) by GDR authorities, implying that the NATO countries and West Germany in particular were considered equal to "fascists" by GDR propaganda. The West Berlin city government sometimes referred to it as the "Wall of Shame"—a term coined by mayor Willy Brandt—while condemning the Wall's restriction on freedom of movement. Along with the separate and much longer Inner German border (IGB), which demarcated the border between East and West Germany, it came to symbolize the "Iron Curtain" that separated Western Europe and the Eastern Bloc during the Cold War.

East Berlin "death strip" of the Berlin Wall, as seen from the Axel Springer AG Building, 1984.

Before the Wall's erection, 3.5 million East Germans circumvented Eastern Bloc emigration restrictions and defected from the GDR, many by crossing over the border from East Berlin into West Berlin; from which they could then travel to West Germany and other Western European countries. Between 1961 and 1989, the Wall prevented almost all such emigration. During this period, around 5,000 people attempted to escape over the Wall, with an estimated death toll ranging from 136 to more than 200 in and around Berlin.

In 1989, a series of radical political changes occurred in the Eastern Bloc, associated with the liberalization of the Eastern Bloc's authoritarian systems and the erosion of political power in the pro-Soviet governments in nearby Poland and Hungary. After several weeks of civil unrest, the East German government announced on 9 November 1989 that all GDR citizens could visit West Germany and West Berlin.

This section of the Wall's "death strip" featured Czech hedgehogs, a guard tower and a cleared area, 1977.

Crowds of East Germans crossed and climbed onto the Wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, euphoric people and souvenir hunters chipped away parts of the Wall; the governments later used industrial equipment to remove most of what was left. Contrary to popular belief the Wall's actual demolition did not begin until the summer of 1990 and was not completed until 1992. The fall of the Berlin Wall paved the way for German reunification, which was formally concluded on 3 October 1990.
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>> Cave paintings between 6000 and 8000 years ago in Ignatievka cave - Russia

Sim river and Ignateva cave entry

Ignatievka cave is a large limestone cave on the banks of the Sim River, a tributary of the Belaya river in the southern Ural mountains of Russia. It was in 1980 the site of the discovery of a wall painting of a venus figure, with twenty-eight red dots between her legs that are believed to represent the female menstrual cycle. The cave also contains microliths, remains of animals, and many other cave paintings, as well as a layer of Iron Age materials. Although some sources date the paintings in the cave to the Upper Paleolithic, radiocarbon dating of the pigments in the paintings places their origin more recently, between 6000 and 8000 years ago. 

Ochre figure of a person 

Ignateva Cave can be freely visited although it is best to travel via the small village of Serpiyevke, which is off the main road past Sim, Chelyabinsk Oblast heading eastwards, about 15 km. The track to the cave is very rough and has not been improved for years. The cave mouth is about 18m above the small river backwater and reached by a metal ladder. On entering the cave visitors must stoop low as the ceiling lowers quickly to about 1m in height, and then it increases again to 2m or more. Part of the inner cave can only be reached by crawling through a very narrow space about 0.5m in height but this provides views of some of the better red ochre markings. The local guide from Serpiyevke noted that the cave was not lived in (there were no fire markings), but hypothesized that it was a sacred site mainly used for religious ceremonies and adulthood rites from the markings.

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>> Sotheby's is One of the world's largest brokers of fine and decorative art, jewelry, real estate, and collectibles

Sotheby's is a multinational corporation, originally British but now headquartered in New York City. One of the world's largest brokers of fine and decorative art, jewelry, real estate, and collectibles, Sotheby's operation is divided into three segments: auction, finance, and dealer. The company’s services range from corporate art services to private sales.

Sotheby’s is the world’s fourth oldest auction house in continuous operation, with 90 locations in 40 countries. As of December 2011, the company had 1,446 employees worldwide. It is the world's largest art business with global sales in 2011 totaling $5.8 billion. Sotheby’s was established on 11 March 1744 in London. The American holding company was initially incorporated in August 1983 in Michigan. In June 2006, Sotheby’s Holdings, Inc. reincorporated in the State of Delaware and was renamed Sotheby’s. 

York Avenue headquarters, New York City.

Sotheby's predecessor, Baker and Leigh, was founded in London on 11 March 1744, when Samuel Baker presided over the disposal of "several hundred scarce and valuable" books from the library of Rt Hon Sir John Stanley Bt., of Alderley. Three Swedish auction houses are even older (Stockholms Auktionsverk, Göteborgs Auktionsverk (sv), Uppsala auktionskammare (sv)) and Sotheby's great rival in London and then New York, Christie's, dates from 1759 or shortly after.[6] The current business dates back to 1804, when two of the partners of the original business (Leigh and Sotheby) left to set up their own book dealership. The library Napoleon took with him into exile at St Helena, as well as the library collections of John Wilkes, Benjamin Heywood Bright and the Dukes of Devonshire and of Buckingham (both related to George Leigh) were sold through Samuel Baker’s auctions. 

After Baker’s death in 1778, his estate was divided between Leigh and John Sotheby. George Leigh died unmarried in 1816 but not before endeavoring to secure his succession by recruiting Samuel E Leigh into the business. Under the Sotheby family, the auction house extended its activities to auctioning prints, medals, and coins. John Wilkinson, Sotheby’s Senior Accountant, became the company’s new CEO.[11] The business did not seek to auction fine arts in general until much later, their first major success in this field being the sale of a Frans Hals painting for nine thousand guineas as late as 1913.

In 1917, Sotheby’s relocated from 13 Wellington Street to 34-35 New Bond Street, which remains as its London base to this day. They soon came to rival Christie's as leaders of the London auction market, which had become the most important for art. In 1955, Sotheby’s opened an office at Bowling Green, New York City. In 1964, Sotheby’s purchased Parke-Bernet, then the largest auctioneer of fine art in the United States. In the following year, Sotheby’s moved to 980 Madison Avenue, New York. With international popularity of fine art auction growing, Sotheby’s opened offices in Paris and Los Angeles in 1967, became the first auction house to operate in Hong Kong in 1973, and Moscow in 1988. 

Sotheby’s became a U.K. public company in 1977. A 25 percent drop from the 1980-81 record of $610 million in sales contributed to Sotheby's decision to relocate its North American headquarters from Madison Avenue to a former cigar factory at 1334 York Avenue, New York, in 1982. The auction house closed its Madison Avenue galleries at East 76th Street. The Los Angeles galleries were sold and auctions of West Coast material moved to New York. 

In the following year, a group of investors (such as American millionaire Alfred Taubman) purchased and privatized Sotheby’s. Sotheby’s was initially incorporated as Sotheby’s Holdings, Inc. in Michigan in August 1983. Taubman took Sotheby’s public in 1988, listing the company’s shares on the New York Stock Exchange, making Sotheby’s the oldest publicly traded company on the NYSE under the ticker symbol "BID." In June 2006, Sotheby’s Holdings, Inc. reincorporated in the State of Delaware and was renamed Sotheby’s shortly after.

With private transactions constituting an essential and increasingly profitable business segment, through the years Sotheby's has bought art galleries and helped dealers finance purchases. It has also gone into partnership with dealers on private sales. In 1990, Sotheby's teamed up with dealer William Acquavella, to form Acquavella Modern Art, a Nevada general partnership and a subsidiary of Sotheby's Holding Company. The subsidiary paid $143 million for the contents of the Pierre Matisse Gallery in Manhattan, which included about 2,300 works by such artists as Miró, Jean Dubuffet, Alberto Giacometti, and Marc Chagall, and began selling the works both at auction and privately.

Sotheby's office on New Bond Street, London.

In 1996, Sotheby's acquired Andre Emmerich Gallery to operate a division called Emmerich/Sotheby's, and in 1997 it purchased a 50% interest in Deitch Projects. As a consequence, the Josef and Anni Albers Foundation, the main beneficiary of the artists' estates, as well as the estates of Morris Louis and Milton Avery announced that they would not renew their Emmerich contracts. That decision came right after it was disclosed that Sotheby's had decided to close Emmerich's prime space at 41 East 57th Street, and that its artists would be handled out of Deitch Projects.

Sotheby's subsequently closed Andre Emmerich in 1998 and later sold its share in Deitch Projects back to Jeffrey Deitch. In 2006, Sotheby's acquired a Dutch dealership, Noortman Master Paintings, from its owner, Robert Noortman, for $82.5 million ($56.5 million worth of Sotheby’s stock and assumption of more than $26 million in gallery debt, including $11.7 million owed to the auction house). Sothebys and Noortman had collaborated before in 1995, when the sales of Dutch plastic millionaire Joost Ritman were divided between the two companies. 

Already in 1990, Sotheby's New York had successfully lobbied for a zoning change permitting the construction of a 27-story residential tower above the five-story headquarters; this expansion was never realized. Instead, Sotheby’s throughout the 1990s expressed interest in sites that ranged from the old Alexander’s building on East 59th Street to the New York Coliseum site on Columbus Circle, and was even considering moving into the old B. Altman building on Fifth Avenue.

The company eventually bought its York Avenue building for $11 million in 2000 and completed a $140 million expansion and renovation in 2001, adding six floors and 240,000 square feet. The renovation added the capability to store works on the same premises as the specialist departments, galleries, and auction spaces. Sotheby's New York's offices also house Sotheby's Wine and the former Bid (an American contemporary restaurant and later bistro), which was closed due to poor attendance. The company sold the building in 2002 for $175 million. In May 2007, Sotheby's opened an office in Moscow in response to rapidly growing interest among Russian buyers in the international art market and held sales in Qatar in 2009. 


As many industries took a blow from the economic crisis of 2008, the art market also saw a contraction. In international figures, art prices fell by 7.5% in Q1 of 2008 in comparison to the previous quarter. In September and October 2008, major auction houses saw a sharp decline in sales: artprice.com, the world leader in art market information, coined the term "Black October." Sotheby’s bought-in rate was 27%, Christie’s was 45% and Phillips de Pury’s was 46%. However, the total values of global and United States Fine Art auction sales were USD$8.3 billion and USD$2.9 billion, respectively. In 2009, art collector Steven A. Cohen built a 6 percent stake in the auction house for his hedge fund SAC Capital Advisors. 

As of 2012, the firm has an annual revenue of approximately US$831.8 million and offices on Manhattan's York Avenue and London's New Bond Street. This position has been achieved through natural growth, acquisitions (most notably the 1964 purchase of the United States' largest auctioneer of fine art, Parke-Bernet), and management during the cyclical "art recessions" of the 20th century. 

In 2011, Noortman's Amsterdam space was closed and the gallery moved to London. Two years later, Sotheby's closed Noortmans, after having written down $8.3 million of inventory and started selling off lower-valued works of art through other auction houses. As of 2011, Sotheby’s is present in over 90 locations in 40 countries with ten salesrooms. In 2012, the company signed a 10-year joint-venture agreement to form Sotheby’s (Beijing) Auction Co. Ltd., the first international auction house in China; under the agreement, it invested $1.2 million to take an 80 percent stake in the venture with state-owned Beijing Gehua Cultural Development Group. 

HK Central Landmark Ju Ming art exhibition interior Sotheby's

Sotheby's shares a rivalry Christie's for the position of the world's preeminent fine art auctioneer, a title of much subjectivity. In August 2004, Sotheby's introduced an online system – MySotheby's – allowing clients to track lots and create "wishlists" that could be automatically updated as new works became available. Sotheby’s also created the BIDnow service, which allows bidders to bid real-time online while watching the broadcast auctions, with the exception of Wine auctions. LiveBid is Sotheby’s online bidding system exclusively for wine auctions. In the meantime, income from classic auctioneering has fallen, as Sotheby's reported a decrease of 42% in net income in the first half of 2012. 

As well as numerous high profile real life auctions being held at Sotheby's, the auctioneers has also been used in various films, including the 1983 James Bond film Octopussy in which Bond (played by Roger Moore) unsuccessfully tried to bid for a rare Fabergé egg, which he had cleverly exchanged for a fake that was finally sold to the villainous Afghan prince, Kamal Khan (Louis Jourdan). 

In February 2015 Sotheby's acquired a 25% stake in classic and vintage automobile auctioneer RM Auctions. On 17 March 2015, it was announced that Tad Smith would succeed William F. Ruprecht as CEO of Sotheby's. 
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>> Christie's Art Auction was a public company, listed on the London Stock Exchange from 1973 to 1999

Christie's, founded in 1766 by James Christie, is the world's leading art business, with sales in 2015 that totalled £4.8 billion / $7.4 billion. Christie's has its main headquarters in London on King Street and Rockefeller Plaza in New York. It is owned by Groupe Artémis, the holding company of François-Henri Pinault. 

The official company literature states that founder James Christie conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766. However, other sources note that James Christie rented auction rooms from 1762, and newspaper advertisements of Christie's sales dating from 1759 have also been traced. 

Christie's American branch in Rockefeller Center, New York

Christie's soon established a reputation as a leading auction house, and took advantage of London's new found status as the major centre of the international art trade after the French Revolution. From 1859, the company was called Christie, Manson & Woods. In 1958, it established its first overseas office, by placing a representative in Rome. The first overseas salesroom opened in Geneva, where Christie's holds jewellery auctions.

Christie's was a public company, listed on the London Stock Exchange from 1973 to 1999. In 1974, Jo Floyd was appointed chairman of Christie's. He served as chairman of Christie's International P.L.C. from 1976 to 1988, until handing over to Lord Carrington, and later was a non-executive member of the board of directors until 1992. The auction house's subsidiary Christie's International Inc. held its first sale in the United States in 1977, 13 years later than Sotheby's.

Christie's growth was slow but steady since 1989, when it had 42 percent of the auction market. In 1990, the company reversed a longstanding policy and guaranteed a minimum price for a collection of artworks in its May auctions. In 1996, the auction house's sales eclipsed Sotheby's for the first time since 1954.  However, its profits did not grow at the same pace; from 1993 through 1997, Christie's annual pretax profits were about $60 million, whereas Sotheby's annual pretax profits were about $265 million for those years. 

In 1993, Christie's paid $10.9 million for the London gallery Spink & Sons, which specialised in Oriental art and British paintings; the gallery was run as a separate entity from the auction house. The company bought Leger Gallery for $3.3 million in 1996, and merged it with Spink to become Spink-Leger. Spink-Leger was closed in 2002. To make itself competitive with Sotheby's in real estate, Christie's bought Great Estates in 1995, then the largest network of independent real estate brokers in North America, changing its name to Christie's Great Estates Inc. 

In December 1997, under the chairmanship of Lord Hindlip, Christie's put itself on the auction block, but after two months of negotiations with the consortium-led investment firm SBC Warburg Dillon Read it did not attract a bid high enough to accept. In May 1998, François Pinault's holding company, Groupe Artémis S.A., first bought 29.1 percent of the company for $243.2 million, and subsequently purchased the rest of it in a deal that valued the entire company at $1.2 billion. The company has since not been reporting profits, though it gives sale totals twice a year. Its policy, in line with U.K. accounting standards, is to convert non-U.K. results using an average exchange rate weighted daily by sales throughout the year. In 2002, Christie's France held its first auction in Paris. 

Like Sotheby's, Christie's became increasingly involved in high-profile private transactions. In 2006, Christie's offered a reported $21 million guarantee to the Donald Judd Foundation and displayed the artist's works for five weeks in an exhibition that later won an AICA award for "Best Installation in an Alternative Space".  In 2007 the auction house brokered a $68 million deal that transferred Thomas Eakins's The Gross Clinic (1875) from the Jefferson Medical College at the Thomas Jefferson University in Philadelphia to joint ownership by the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts.

That same year, Haunch of Venison, a contemporary art gallery which since 2002 had successfully conducted back-room sales of secondary-market works by major artists such as Francis Bacon, Andy Warhol, and Damien Hirst from its locations in London and Zürich, became a subsidiary of Christie's International plc. Under the original deal, the gallery was meant to be the channel for all of Christie's private-client business as well as the focus of its primary trade.

Also, the auction house originally announced that Haunch employees could not bid at auction because of conflicts of interest or issues of market manipulation, but later abandoned this rule.  While Christie's eventually retained the brand name and repositioned Haunch as purely a primary-focused gallery, any secondary-market activities were taken over by the auction house's post-war and contemporary department. Today, the gallery continues to operate as an independent company in London and New York, and again handles all of its secondary market activities itself. 

The Christie's secondary London salesroom in South Kensington.

On 28 December 2008, The Sunday Times reported that Pinault's debts left him "considering" the sale of Christie's and that a number of "private equity groups" were thought to be interested in its acquisition. In January 2009, Christie's was reported to employ 2,100 people worldwide, though an unspecified number of staff and consultants were soon to be cut due to a worldwide downturn in the art market; later news reports said that 300 jobs would be cut. 

With sales for premier Impressionist, Modern, and contemporary artworks tallying only $US248.8 million in comparison to $US739 million just a year before, a second round of job cuts began after May 2009 when the auction house was still reported to employ 1,900 people worldwide. One of the auction house's "rainmakers" in the sale of Impressionist and Modern art, Guy Bennett, resigned from the auction house just prior to the beginning of the summer 2009 sales season. Although the economic downturn has encouraged some collectors to sell art, others are unwilling to sell in a market which may yield only bargain prices. 

Frenchwoman Madame Patricia Barbizet was appointed Chief Executive Officer of Christie’s in 2014, the first female CEO of the company.  As of 2012, Impressionist works, which dominated the market during the 1980s boom, have been replaced by contemporary art as Christie's top category. Asian art was the third most-lucrative area. With income from classic auctioneering falling, treaty sales made £413.4 million ($665 million) in the first half of 2012, an increase of 53% on the same period last year; they now represent more than 18% of turnover. The company has promoted curated events, centred on a theme rather than an art classification or time period. 

From 2008 until 2013, Christie's charged 25 percent for the first $50,000; 20 percent on the amount between $50,001 and $1 million, and 12 percent on the rest. From 2013, it charged 25 percent for the first $75,000; 20 percent on the next $75,001 to $1.5 million and 12 percent on the rest. 

Christie's main London salesroom is on King Street in St. James's, where it has been based since 1823. It has a second London salesroom in South Kensington which opened in 1975 and primarily handles the middle market. Christie's South Kensington is one of the world's busiest auction rooms.

In 1977, Christie's opened a branch on New York's Park Avenue, with a salesroom accommodating about 600 people. Increasingly cramped for space, the auction house signed a 30-year lease in 1997 for a 300,000-square-foot space in Rockefeller Center for $40 million. (The Christie's New York sign was created by Nancy Meyers during the production of the 2003 film Something's Gotta Give for an exterior shot; the auction house liked the sign so much that it requested the production leave it after shooting finished.) Until 2001, Christie's East, a division that sold lower-priced art and objects, was located at 219 East 67th Street. In 1996, Christie's bought a town house on East 59th Street in Manhattan as a separate gallery where experts could show clients art in complete privacy to conduct private treaty sales. Christie's opened a Beverly Hills salesroom in 1997.

As of January 2009, Christie's had 85 offices (not all are salesrooms) in 43 countries, including New York City, Los Angeles, Paris, Geneva, Houston, Amsterdam, Moscow, Vienna, Buenos Aires, Berlin, Rome, South Korea, Milan, Madrid, Japan, China, Australia, Hong Kong, Singapore, Bangkok, Tel Aviv, Dubai, and Mexico City. In 1995, Christie's became the first international auction house to exhibit works of art in Beijing, China.
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