The Philadelphia Museum of Art administers several annexes including the Rodin Museum, also located on the Benjamin Franklin Parkway, and the Ruth and Raymond G. Perelman Building, which is located across the street just north of the main building. The Perelman Building, which opened in 2007, houses more than 150,000 prints, drawings and photographs, along with 30,000 costume and textile pieces, and over 1,000 modern and contemporary design objects including furniture, ceramics and glasswork. The museum also administers the historic colonial-era houses of Mount Pleasant and Cedar Grove, both located in Fairmount Park. The museum and its annexes are owned by the City of Philadelphia and administered by a registered nonprofit corporation.
As of 2016, the standard adult admission price is $20 which allows entrance to the main building and all annexes for two consecutive days. The museum is closed on Mondays except on some holidays. A special "Pay What You Wish" program is in effect on the first Sunday of each month from 10:00 a.m.–5:00 p.m. and every Wednesday evening from 5:00–8:45 p.m. when visitors are requested to "...support us with whatever amount you wish." Several special exhibitions are held in the museum every year, including touring exhibitions arranged with other museums in the United States and abroad. Special exhibitions may have an extra charge for entrance.
Philadelphia celebrated the 100th anniversary of the Declaration of Independence with the 1876 Centennial Exposition, America's first World's Fair. Its art building, Memorial Hall, was intended to outlast the Exhibition and house a permanent museum. Following the example of London's South Kensington Museum, the new museum was to focus on applied art and science, and provide a school to train craftsmen in drawing, painting, modeling, and designing.
The Pennsylvania Museum and School of Industrial Art opened on May 10, 1877. Its permanent collection began with objects from the Exhibition and gifts from the public impressed with the Exhibition's ideals of good design and craftsmanship. European and Japanese fine and decorative art objects and books for the Museum's library were among the first donations. The location outside of Center City, however, was fairly distant from many of the city's inhabitants. Admission was charged until 1881, then was dropped until 1962.
Main building at night above Fairmount Water Works
Starting in 1882, Clara Jessup Moore donated a remarkable collection of antique furniture, enamels, carved ivory, jewelry, metalwork, glass, ceramics, books, textiles and paintings. The Countess de Brazza's lace collection was acquired in 1894 forming the nucleus of the lace collection. In 1893 Anna H. Wilstach bequeathed a large painting collection, including many American paintings, and an endowment of half a million dollars for additional purchases. Works by James Abbott McNeill Whistler and George Inness were purchased within a few years and Henry Ossawa Tanner's The Annunciation was bought in 1899.
In the early 1900s, the Museum started an education program for the general public, as well as a membership program. Fiske Kimball was the museum director during the rapid growth of the 1920s, which included one million visitors in the new building's first year. After World War II the collections grew with gifts, such as the John D. McIlhenny and George Grey Barnard collections.
Early modern art dominated the growth of the collections in the 1950s, with acquisitions of the Louise and Walter Arensberg and the A.E. Gallatin collections. The gift of Philadelphian Grace Kelly's wedding dress is perhaps the best known gift of the 1950s.
Extensive renovation of the building lasted from the 1960s through 1976. Major acquisitions included the Carroll S. Tyson, Jr. and Samuel S. White III and Vera White collections, 71 objects from designer Elsa Schiaparelli, and Marcel Duchamp's Étant donnés. In 1976 there were celebrations and special exhibitions for the centennial of the Museum and the bicentennial of the nation. During the last three decades major acquisitions have included After the Bath by Edgar Degas and Fifty Days at Iliam by Cy Twombly.
Henry Ossawa Tanner's Annunciation, acquired in 1899
Highlights of the Asian collections include paintings and sculpture from China, Japan, and India; furniture and decorative arts, including major collections of Chinese, Japanese, and Korean ceramics; a large and distinguished group of Persian and Turkish carpets; and rare and authentic architectural assemblages such as a Chinese palace hall, a Japanese teahouse, and a sixteenth-century Indian temple hall.
The European collections, dating from the medieval era to the present, encompass Italian and Flemish early-Renaissance masterworks; strong representations of later European paintings, including French Impressionism and Post-Impressionism; sculpture, with a special concentration in the works of Auguste Rodin; decorative arts; tapestries; furniture; the second-largest collection of arms and armor in the United States; and period rooms and architectural settings ranging from the facade of a medieval church in Burgundy to a superbly decorated English drawing room by Robert Adam.
Pablo Picasso, 1921, Nous autres musiciens (Three Musicians), oil on canvas, 204.5 x 188.3 cm
The museum's American collections, surveying three centuries of painting, sculpture, and decorative arts, are among the finest in the United States, with outstanding strengths in 18th- and 19th-century Philadelphia furniture and silver, Pennsylvania German art, rural Pennsylvania furniture and ceramics, and the paintings of Thomas Eakins. The museum houses the most important Eakins collection in the world.
Modern artwork includes works by Pablo Picasso, Jean Metzinger, Antonio Rotta, Albert Gleizes, Marcel Duchamp, Salvador Dalí and Constantin Brâncuși, as well as American modernists. The expanding collection of contemporary art includes major works by Cy Twombly, Jasper Johns, and Sol LeWitt, among many others.
The museum houses encyclopedic holdings of costume and textiles, as well as prints, drawings, and photographs that are displayed in rotation for reasons of preservation.
(source)