Thursday, 28 April 2016

>> In this twenty-year period, Rome became one of the greatest centres of art in the world

In 1418, the Council of Constance settled the western schism, and a Roman pope, Martin V, was elected. This brought to Rome a century of internal peace, which marked the beginning of the Renaissance. The ruling popes until the first half of the 16th century, from Nicholas V, founder of the Vatican Library, to Pius II, humanist and literate, from Sixtus IV, a warrior pope, to Alexander VI, immoral and nepotist, from Julius II, soldier and patron, to Leo X, who gave his name to this period ("the century of Leo X"), all devoted their energy to the greatness and the beauty of the Eternal City, to the power of their stock, and to the patronage of the arts.

Italian soldiers enter Rome on 20 September 1870.

During those years the center of the Italian Renaissance moved to Rome from Florence. Majestic works, as the new Saint Peter's Basilica, the Sistine Chapel and Ponte Sisto (the first bridge to be built across the Tiber since antiquity, although on Roman foundation) were created. To accomplish that, the Popes engaged the best artists of the time, including Michelangelo, Perugino, Raphael, Ghirlandaio, Luca Signorelli, Botticelli, and Cosimo Rosselli.

The period was also infamous for papal corruption, with many Popes fathering children, and engaging in nepotism and simony. The corruption of the Popes and the huge expenses for their building projects led, in part, to the Reformation and, in turn, the Counter-Reformation. Popes, such as Alexander VI, were well known for their decadence, wild parties, extravagance and immoral lives. However, under these extravagant and rich popes, Rome was transformed into a centre of art, poetry, music, literature, education and culture. Rome became able to compete with other major European cities of the time in terms of wealth, grandeur, the arts, learning and architecture.

The Renaissance period changed Rome's face dramatically, with works like the Pietà by Michelangelo and the frescoes of the Borgia Apartment, all made during Innocent's reign. Rome reached the highest point of splendour under Pope Julius II (1503–1513) and his successors Leo X and Clement VII, both members of the Medici family.

In this twenty-year period, Rome became one of the greatest centres of art in the world. The old St. Peter's Basilica built by Emperor Constantine the Great (which by then was in a dilapidated state) was demolished and a new one begun. The city hosted artists like Ghirlandaio, Perugino, Botticelli and Bramante, who built the temple of San Pietro in Montorio and planned a great project to renovate the Vatican. Raphael, who in Rome became one of the most famous painters of Italy, created frescoes in the Villa Farnesina, the Raphael's Rooms, plus many other famous paintings. Michelangelo started the decoration of the ceiling of the Sistine Chapel and executed the famous statue of the Moses for the tomb of Julius II. Rome lost in part its religious character, becoming increasingly a true Renaissance city, with a great number of popular feasts, horse races, parties, intrigues and licentious episodes.

Palazzo Senatorio, Rome City Hall

Its economy was rich, with the presence of several Tuscan bankers, including Agostino Chigi, who was a friend of Raphael and a patron of arts. Before his early death, Raphael also promoted for the first time the preservation of the ancient ruins. The fight between France and Spain in Europe caused the first plunder of the city in more than one thousand years. In 1527, the Landsknechts of Emperor Charles V sacked the city, putting to an abrupt end the golden age of the Renaissance in Rome.

Beginning with the Council of Trent in 1545, the Church began the Counter-Reformation as an answer to the Reformation, a large-scale questioning of the Church's authority on spiritual matters and governmental affairs. (This loss of confidence then led to major shifts of power away from the Church.) Under the popes from Pius IV to Sixtus V, Rome became the centre of the reformed Catholicism and saw the installment of new monuments which celebrated the papacy's restored greatness. The popes and cardinals of the 17th and early 18th centuries continued the movement by having city's landscape enriched with baroque buildings.

This was another nepotistic age: the new noble families (Barberini, Pamphili, Chigi, Rospigliosi, Altieri, Odescalchi) were protected by their respective popes, who built for their relatives huge baroque buildings. During the Age of Enlightenment, new ideas reached also the Eternal City, where the papacy supported archaeological studies and improved the people's welfare.[49] But not everything went well for the Church during the Counter-Reformation. There were setbacks in the attempts to restrain the anti-Church policies of European powers of the time, the most notable setback perhaps being in 1773 when Pope Clement XIV was forced by secular powers to have the Jesuit order suppressed.

The rule of the Popes was interrupted by the short-lived Roman Republic (1798–1800), which was built under the influence of the French Revolution. The Papal States were restored in June 1800, but during Napoleon's reign Rome was annexed as a Département of the French Empire: first as Département du Tibre (1808–10) and then as Département Rome (1810–14). After the fall of Napoleon, the Church State under the pope was reinstated through the Congress of Vienna of 1814.

In 1849 another Roman Republic arose within the framework of the revolutions of 1848. Two of the most influential figures of the Italian unification, Giuseppe Mazzini and Giuseppe Garibaldi, fought for the short-lived republic.

Rome then became the focus of hopes of Italian reunification, as the rest of Italy was reunited as the Kingdom of Italy, with a temporary capital at Florence. In 1861 Rome was declared capital of Italy even though it was still under the Pope's control. During the 1860s, the last vestiges of the Papal States were under French protection, thanks to the foreign policy of Napoleon III. It was only when this was lifted in 1870, owing to the outbreak of the Franco-Prussian War, that Italian troops were able to capture Rome entering the city through a breach near Porta Pia. Afterwards, Pope Pius IX declared himself as prisoner in the Vatican, and in 1871 the capital of Italy was finally moved from Florence to Rome.

The Tempietto (San Pietro in Montorio) — an excellent example of Italian Renaissance architecture

Soon after World War I, Rome witnessed the rise of Italian Fascism, led by Benito Mussolini, who marched on the city in 1922, eventually declaring a new Italian Empire and allying Italy with Nazi Germany. Mussolini pulled down large parts of the city center in order to build wide avenues and squares which were supposed to celebrate the fascist regime and the resurgence of classical Rome.

The interwar period saw a rapid growth in the city's population, which surpassed one million inhabitants. In World War II, due to its art treasuries and the presence of Vatican, Rome largely escaped the tragic destiny of other European cities. However, on 19 July 1943 the San Lorenzo district was bombed by Anglo-American forces, resulting in about 3,000 immediate deaths and 11,000 wounded of which another 1,500 died. After the fall of Mussolini and the Italian Armistice on 8 September 1943, the city was occupied by the Germans and declared an open city until its liberation on 4 June 1944.

Rome developed momentously after the war, as one of the driving forces behind the "Italian economic miracle" of post-war reconstruction and modernisation in the 1950s and early 1960s. During this period, the years of la dolce vita ("the sweet life"), Rome became a fashionable city, with popular classic films such as Ben Hur, Quo Vadis, Roman Holiday and La Dolce Vita filmed in the city's iconic Cinecittà film studios. The rising trend in population growth continued until the mid-1980s, when the comune had more than 2.8 million residents. After that, population started to decline slowly as inhabitants began to move to nearby suburbs of Rome.