A Toda tribal hut exemplifies Indian vernacular architecture.
Much of Indian architecture, including the Taj Mahal, other works of Mughal architecture, and South Indian architecture, blends ancient local traditions with imported styles. Vernacular architecture is also highly regional in it flavours. Vastu shastra, literally "science of construction" or "architecture" and ascribed to Mamuni Mayan, explores how the laws of nature affect human dwellings; it employs precise geometry and directional alignments to reflect perceived cosmic constructs.
As applied in Hindu temple architecture, it is influenced by the Shilpa Shastras, a series of foundational texts whose basic mythological form is the Vastu-Purusha mandala, a square that embodied the "absolute". The Taj Mahal, built in Agra between 1631 and 1648 by orders of Emperor Shah Jahan in memory of his wife, has been described in the UNESCO World Heritage List as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage". Indo-Saracenic Revival architecture, developed by the British in the late 19th century, drew on Indo-Islamic architecture.
The earliest literary writings in India, composed between 1700 BCE and 1200 CE, were in the Sanskrit language. Prominent works of this Sanskrit literature include epics such as the Mahābhārata and the Ramayana, the dramas of Kālidāsa such as the Abhijñānaśākuntalam (The Recognition of Śakuntalā), and poetry such as the Mahākāvya Kamasutra, the famous book about sexual intercourse also originated in India. Developed between 600 BCE and 300 CE in South India, the Sangam literature, consisting of 2,381 poems, is regarded as a predecessor of Tamil literature.
Tourists from North-East India, wrapped in sarongs and shawls, visit the Taj Mahal.
From the 14th to the 18th centuries, India's literary traditions went through a period of drastic change because of the emergence of devotional poets such as Kabīr, Tulsīdās, and Guru Nānak. This period was characterised by a varied and wide spectrum of thought and expression; as a consequence, medieval Indian literary works differed significantly from classical traditions. In the 19th century, Indian writers took a new interest in social questions and psychological descriptions. In the 20th century, Indian literature was influenced by the works of Bengali poet and novelist Rabindranath Tagore.
Indian music ranges over various traditions and regional styles. Classical music encompasses two genres and their various folk offshoots: the northern Hindustani and southern Carnatic schools. Regionalised popular forms include filmi and folk music; the syncretic tradition of the bauls is a well-known form of the latter. Indian dance also features diverse folk and classical forms. Among the better-known folk dances are the bhangra of Punjab, the bihu of Assam, the chhau of Odisha, West Bengal and Jharkhand, garba and dandiya of Gujarat, ghoomar of Rajasthan, and the lavani of Maharashtra.
A street-corner game of pachisi in Pushkar, Rajasthan
Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniyattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of Odisha, and the sattriya of Assam. Theatre in India melds music, dance, and improvised or written dialogue. Often based on Hindu mythology, but also borrowing from medieval romances or social and political events, Indian theatre includes the bhavai of Gujarat, the jatra of West Bengal, the nautanki and ramlila of North India, tamasha of Maharashtra, burrakatha of Andhra Pradesh, terukkuttu of Tamil Nadu, and the yakshagana of Karnataka.
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